Name: Bobby Lee Is Finally Ready To Go Back To The Comedy Store In La Jolla | Bad Friends Clips
Uploaded: 2021-05-22T03:00:21.000Z
Description: Watch the stand-up comedy video 'Bobby Lee Is Finally Ready To Go Back To The Comedy Store In La Jolla | Bad Friends Clips' from Bad Friends Clips on Comedy Buff. Published 2021-05-22. Transcript available.

Watch the stand-up comedy video 'Bobby Lee Is Finally Ready To Go Back To The Comedy Store In La Jolla | Bad Friends Clips' from Bad Friends Clips on Comedy Buff. Published 2021-05-22. Transcript available.

- We're bad friends.
- It's something about me that like,
won't let certain things go.
- Like what?
- Like I have this thing where it's like,
and I want to change this about myself,
where like, you know,
like my falling out with the La Jolla Comedy Store.
- Mm-hmm, you can always bounce back.
- But you know what happened, right?
- I do.
- Yeah.
- You wanna talk about it?
- And I'll never, yeah, I'll talk about it.
I just can't forgive this guy.
- Sure.
- You know what I mean?
- But why can't you forgive people?
- That's the thing.
It's something that I have within myself,
whereas I have a, I get a grudge.
- Yes, you hold a grudge.
- And I hold it in my heart.
- It's gross.
- Forever.
- Get rid of that.
- I know, but I can't.
- But that's gonna kill you faster than it kills them.
- It doesn't hurt me.
I don't, it doesn't.
- It does subconsciously.
You don't even know it, but it does.
Things like that do hurt us.
- It's like, I'll tell you what happened.
You know that club got gutted and closed at one point.
Did you know that?
- Yeah, I do.
- Okay.
- So that club.
- No, no, no.
- So the manager what?
- No, no, no, no.
- The manager what?
- When I was a kid, and I went into that club,
and Mitzi one day said, "I'm closing it down."
- Right.
- Okay.
- He was losing money.
- No, she's like, "I'm moving it."
She moved the comedy store to the beach.
- Oh, I remember that.
- Yeah, on the coast of Loyola, you weren't around there.
- No, I heard about it, I know the story.
- So then that comedy store, the one that we know,
in Loyola, right, was completely gutted.
It was gonna be like a furniture shop.
- Right.
- The beach, there was no parking there.
So they started freaking out.
And the last second, she's like, "Let's go back."
Right?
Now, the club was gutted.
- Right.
- So me, Freddie Soto, guys like Johnny Sanchez,
when we were kids, we went in there,
and we put the bamboo on the wall, you know, the bamboo?
- Yeah.
- Right, we built the stage, we went in there,
put carpeting down, we did it all, right?
Then I worked there, right, as a doorman, right?
That place was my fucking home.
I know every crack of that club, right?
It's like, you know, it's like your hometown house
that you grew up in.
- Hmm.
- Can you imagine that?
- It burned down.
- Oh, I'm sorry.
- It's all right, I did it.
- Really funny.
- But I know what you mean, yes, it's like-
- So anyway, so, now after, I was on Mad TV,
or whatever, right?
Maybe after, a little after that,
and I had to do a special, not special,
but a standup set on TV.
I forgot what it was.
- Sure.
- So I wanted to work out a set,
so I called the La Jolla Comedy Store,
and I talked to a doorman, and I go,
"Yo, what's going on tonight?"
He's like, "The best of San Diego."
So I go, "All right, I'm gonna drive down,
because I don't wanna work it out here in Hollywood,
and I just wanna work it out there."
He's like, "Come on down."
So I drive two and a half hours,
or whatever it is, to La Jolla.
I go into the club, and this manager,
who I didn't even know, he was new there, right?
I go, "All right, when can I go up?"
And he goes, "You can't go up here."
And I go, "Why?"
Because we're doing "Pretty Funny Women," right?
- Yeah.
- So then I go, "All right, well, I'll wait,
and I'll just go up at the end."
Compromise.
- What year is this?
- This must be 2005.
- You're on MADD.
- Yeah.
- Okay.
- Right?
- So you say, "I wanna go up the end of the show
that's called "Pretty Funny Women."
- Yeah.
- Which gives women an opportunity
that usually they didn't have a lot of spots.
- Exactly, but I'll go up at the end.
- But I wanna go at the end.
- Yeah.
- The headline, "The Pretty Funny Women Show."
- Special guest.
- Got it.
- Okay, you're making me mad right now.
- I'm agreeing with you.
I literally just said got it.
- I don't think so.
- I just said got it.
- I'm trying to figure out the context.
I need context.
- Oh, if it was like an all Hispanic show, right?
- "Pretty Funny Bees."
- Yeah.
And you-
- And I popped in.
- Popped in.
At the level that you're at now, right?
Imagine the talent on the thing.
There's no name that these are,
it's basically open mic night.
- Right, I walk in and they're like,
"Hey, it's hot tamale night."
- Right, right.
And you go, "Yeah, I'll go up at the end."
You know, it's like-
- Okay, so just go back.
You said, "I wanna go up at the end."
- And the manager said-
- And he goes, "No."
- Right.
- So I got back in my car and I drove away,
but I told him,
maybe I sound like a baby.
- What did you say?
- I said, "If you don't put me up right now,
I drove two and a half hours."
- Right.
"I'll play this club again."
- Can I ask?
- And he goes, "Fine."
- Really?
- Yeah.
- Did you call anybody and say, "I'm coming down?"
- I just told you I did.
- Who did you contact?
- I called the phone guy during the day.
- And the phone guy was like, "Cool."
- Come on down.
- Right, miscommunication.
So you should have said to the manager,
"Didn't the phone guy tell you I'm coming?"
- Yeah, I probably said that.
- And he was like, "No, he didn't tell me."
- Yeah.
- And then you're like, "Oh, okay, well then fire that guy,
'cause that's his fault."
- That's fine.
I'm not gonna, all the doorman and the phone guys
are all stand-ups, right?
- Yeah.
- So I'm not gonna fucking ruin somebody's dream.
- Sure, but then, but it's not the manager's fault.
- It's not that big of a deal, it's La Jolla.
Just put me up.
- Okay, but it's not that big of a deal,
it's not that big of a deal, so go back.
No.
- No, because-
- But it's all over.
- I already said, "If you don't put me up,
I'm never coming back here."
And he goes, "That's fine with me."
- Right.
- And so, at that point, I'm like,
now I can never come back.
- But what I'm telling you is, it doesn't bother him.
It bothers you.
- It doesn't bother me.
- This is going back to my original point.
We harbor those things and it doesn't hurt him.
He doesn't lose any sleep about it.
It doesn't, he's never even thought about it
since it happened.
But it does bother you, 'cause you still know it so well.
- So what you want me to do is go, "I'm back."
- I want you to go, "Hey, I wanna come back."
- And then I see the guy.
- And he'll go, "Dude, it's so great to have you here.
"We wish you came over the years."
"I'm sorry that that fucking thing happened."
- God, you're making me so mad right now.
- But it's so real.
But I'm telling you what you,
you can fix something that is not even a problem.
- No, I will refuse.
I refuse.
You know what it is?
Let me give you a parallel.
When Rogan left the store.
When Rogan told the store.
- I refuse.
I'll tell you why I refuse.
- Okay, when he's fired.
What if he gets fired or quits?
Then will you go back?
- Oh, yeah.
- Okay, so it's all him.
- Yeah.
- Uh-huh.
- Oh, yeah.
I'll go.
Or he could call me and go, "Listen, I'm sorry."
- But what did he do?
- "I'm sorry for not putting you up."
- On the "Pretty Funny Women" show.
But that is a funny quote.
I'm sorry for not putting you up
on the "Pretty Funny Women" show.
- Right.
If it was like in LA, right?
- Yeah.
- And it's like- - But it's not LA.
- Just listen to what I'm saying, right?
- Right.
- If the lineup is like Sarah Tiana, Sarah Silverman,
you know what I mean?
Whitney Cummings, and they're-
- Ally Long.
- 100% I'd be like, "You know what, I can't be on the show."
- But why not?
- Because I'm not a woman.
- But why could you be on the other show?
- Because it's like a packed room
and it's like-
- Because they weren't famous enough, the other women.
- Exactly.
- Right.
- And you understand my point of view, right?
- I don't.
I mean, I know why you feel that way,
but I don't think you're right.
- Right.
- I think you're wrong.
I love you, but I think you're wrong.
- Okay.
- I think the manager was put in a bad position,
and then you, now after all these years,
you're big Bobby Lee,
you're in space right now of comedy.
You can do whatever you want.
Why don't you just go, "Well then, I wanna come back."
- Can I ask you another question?
- Yeah.
- Can I ask you another question?
- Is there any level that you can be-
- Yes.
- To get put up on that stage?
- Yes.
- If Chris Rock, let me just say,
if Chris Rock drove down there-
- Right.
- Could he go up there?
- He wouldn't do that.
- Oh, no, that's not true, because I've seen,
I was a doorman at the La Jolla comedy show.
- No, what I'm saying is if Chris-
- That's not true.
- Chris would call and go,
"I'm coming to come down and I'm coming up,"
and they would make it a thing.
- Right.
- So my point is, if you were more famous,
they would have been like,
"Yo, Chappelle is coming,"
and the whole show would have shut down.
- So what you're saying to me right now is that,
I just wasn't famous enough to make that happen.
- Well, to make the thing a thing, yeah.
You weren't famous enough to try to bump someone on the
"Pretty Funny Women" show.
- Right, so there's a level that you can, though.
- And I still don't think you should.
- But is there, it happens all the time.
- It happens, but it's like,
but it only should happen if like,
but like, I think all headliners know,
why would you need it?
You don't need to go.
- No, because I remember one time I was a-
- The circumstances are so specific.
- And listen, I was a doorman,
I was a doorman, right,
at the comedy store in La Jolla,
and on Tuesday nights, Fred Burns gave us the room.
So they go, "It's all six of you, we're doormen.
"You guys work your ass off to pack this room."
So we would take these tickets-
- Flyers, yeah.
- And go to, back then it was called Jack Murphy Stadium.
And when there was a Padres game, right,
we would pass out these tickets.
- Free tickets, right?
- And we sold out this room.
- Oh no, it was paid?
- No, I mean, it was a, yeah, it was a papered room.
- Papered room, yeah.
- But we got the whole Tuesday night, it was packed.
- Dope. - Right?
- Yeah.
- Our show.
- I love those days.
- We showed up and Chris Rock was in town.
- Cool.
- This is before Bring Your Pain, though.
- Bring The Pain.
- Bring The Pain.
- Right.
- All right?
And they go, "Chris is gonna go up."
- Yeah.
- In the middle of it.
- He got a lot of-
- And they do an hour.
- That's awesome.
- Right?
And there's nothing we could do.
- That's right.
- He went up.
- That's right.
- Did it.
- Right.
- And then some of us weren't able to go up.
You know what I mean?
And some of us got fucked.
And we worked really hard to do the show.
My point is, that's, you know what I mean?
- But you're not Chris Rock.
- But I was, but I know, I understand that.
But this is Chris, just let me defend myself.
- But you're not Chris Rock?
- I understand.
But this is Chris Rock, right?
Chris Rock was, became huge.
- Huge.
- After Bring The Pain.
- Huge.
- Right?
- Yep.
- Before Bring The Pain.
- We knew, it was Chris Rock.
He was fucking phenomenal.
- Right, but so what you're saying is that-
- Chris Rock arguably then is probably just as-
- So what you're saying, your point is,
I could have bumped, right?
- Yeah.
- Pretty Funny Women, if I was Chris Rock.
- Yeah.
- And I wasn't big enough.
- That's right.
- Okay.
- And since the circumstances were-
- Because it's also, I want to add this little thing into it.
It's also my home club.
- I know.
- I started there.
- That's why I think you should squash this.
- And it became, no, I will not.
I refuse to.
- How 'bout this?
- No, I refuse to.
- How 'bout, how 'bout, how 'bout we do a bad friend?
- I'm gonna double down.
- How 'bout we do a bad friend show then?
- I'm gonna double down.
- Would you do it with me?
- No, I'm not, refuse.
I'm gonna double down now, right?
- Double down.
- I'm gonna do everything I can.
From this point forward, I'm acting like a little baby.
- I love it.
- All right.
From this point forward, right?
- Yeah.
- I'm gonna do everything I can.
I will never give up.
- To take the club down.
- No, not the club to take the club down.
I will never give up.
I'm gonna try to get as big as I fucking can.
- Let's do it.
- And let me say something right now, right?
I'm in a very good trajectory right now.
- You're killing it.
- Am I being sarcastic?
- You're killing it.
- Don't make me mad.
- You're killing it.
I'm gonna do everything I can to get bigger and bigger.
- Did you watch any of the Pretty Funny Women?
Did you stay for any of it, seriously?
- You have me in such a bad mood.
I don't know if I could continue.
- You did this.
I didn't do this.
You talked about it.
- I just want you to agree with me.
- What I agree with you on is-
- You don't agree with me.
You're being too plain devil's advocate.
- You know what the show is, eh?
It was a fucked up situation.
- Yeah.
- It was not fair.
But I don't think you should hold it out
to your San Diego fans.
How about that?
- If you yawn again.
- Dude, it's been the whole show.
- Oh, yeah, yeah, yeah.
- It's been the whole show.
And you don't want to be here.
And the worst part is the fans like you,
and that's what's so annoying.
- It's so annoying.
They love you so much.
This is doing so much for your life.
- No, I want to be here.
- Right?
So anyway-
- Pull the mic up to your face.
- Yeah, yeah, yeah.
- God, it's just the one rule.
It's not this ever.
It's never been.
It's right here always.
- Listen, guys.
- I want to be here.
- Okay, all right.
So here's the deal, all right?
- I just want to do a group apology, okay?
- All right.
- You have a tendency,
'cause I love you so much.
- I love you.
- We're like, we're family.
- We are.
- To really dig in, right?
And to get me there.
You got me there for the first time, right?
But let me tell you something, right?
It'll never happen again.
- You got it.
- No, it's not that I got it.
Don't even do that, right?
What I'm going to say to you is this.
I am acting like a child about it,
about that situation,
and I am going to grow and become better.
- I love that.
- And so what I'm going to say to everyone in this room
is that--
- Listen up, everyone.
- Everyone in this room, all right?
Thank you for being involved in this project
that we're doing, right?
Let's take one foot in front of the other
and step into the future,
into the bright future.
And I want to say that I really appreciate
everyone's energy and positive energy here, right?
And I'm not going to let you, right?
- God bless.
- Yeah, your psychological mental attacks on me.
- I didn't do anything.
- I understand that, but you know how to fuck,
you know that my buttons, right?
And I know yours, and I'm not going to press them
because I'm a good person.
- I didn't press any of your buttons.
- Yeah, you did.
And my point is this, okay?
Thank you so much, Gabby, for being here.
Thank you so much.
- Fancy.
- Fancy B for being here.
You're yawning, it's fine.
Be you, all right?
- Right, that's why they like her.
- And you, right?
Your rage eyes, it's not going to affect me.
Let's move on.
You want to play a fucking program?
Let's do another program in the show.
Let's go.
What do we got?
Let's do it.
Let's play games here, man.
I feel great.
- Okay. - Okay.
Thank you.

Bobby Lee Is Finally Ready To Go Back To The Comedy Store In La Jolla | Bad Friends Clips

- We're bad friends.
- It's something about me that like,
won't let certain things go.
- Like what?
- Like I have this thing where it's like,
and I want to change this about myself,
where like, you know,
like my falling out with the La Jolla Comedy Store.
- Mm-hmm, you can always bounce back.
- But you know what happened, right?
- I do.
- Yeah.
- You wanna talk about it?
- And I'll never, yeah, I'll talk about it.
I just can't forgive this guy.
- Sure.
- You know what I mean?
- But why can't you forgive people?
- That's the thing.
It's something that I have within myself,
whereas I have a, I get a grudge.
- Yes, you hold a grudge.
- And I hold it in my heart.
- It's gross.
- Forever.
- Get rid of that.
- I know, but I can't.
- But that's gonna kill you faster than it kills them.
- It doesn't hurt me.
I don't, it doesn't.
- It does subconsciously.
You don't even know it, but it does.
Things like that do hurt us.
- It's like, I'll tell you what happened.
You know that club got gutted and closed at one point.
Did you know that?
- Yeah, I do.
- Okay.
- So that club.
- No, no, no.
- So the manager what?
- No, no, no, no.
- The manager what?
- When I was a kid, and I went into that club,
and Mitzi one day said, "I'm closing it down."
- Right.
- Okay.
- He was losing money.
- No, she's like, "I'm moving it."
She moved the comedy store to the beach.
- Oh, I remember that.
- Yeah, on the coast of Loyola, you weren't around there.
- No, I heard about it, I know the story.
- So then that comedy store, the one that we know,
in Loyola, right, was completely gutted.
It was gonna be like a furniture shop.
- Right.
- The beach, there was no parking there.
So they started freaking out.
And the last second, she's like, "Let's go back."
Right?
Now, the club was gutted.
- Right.
- So me, Freddie Soto, guys like Johnny Sanchez,
when we were kids, we went in there,
and we put the bamboo on the wall, you know, the bamboo?
- Yeah.
- Right, we built the stage, we went in there,
put carpeting down, we did it all, right?
Then I worked there, right, as a doorman, right?
That place was my fucking home.
I know every crack of that club, right?
It's like, you know, it's like your hometown house
that you grew up in.
- Hmm.
- Can you imagine that?
- It burned down.
- Oh, I'm sorry.
- It's all right, I did it.
- Really funny.
- But I know what you mean, yes, it's like-
- So anyway, so, now after, I was on Mad TV,
or whatever, right?
Maybe after, a little after that,
and I had to do a special, not special,
but a standup set on TV.
I forgot what it was.
- Sure.
- So I wanted to work out a set,
so I called the La Jolla Comedy Store,
and I talked to a doorman, and I go,
"Yo, what's going on tonight?"
He's like, "The best of San Diego."
So I go, "All right, I'm gonna drive down,
because I don't wanna work it out here in Hollywood,
and I just wanna work it out there."
He's like, "Come on down."
So I drive two and a half hours,
or whatever it is, to La Jolla.
I go into the club, and this manager,
who I didn't even know, he was new there, right?
I go, "All right, when can I go up?"
And he goes, "You can't go up here."
And I go, "Why?"
Because we're doing "Pretty Funny Women," right?
- Yeah.
- So then I go, "All right, well, I'll wait,
and I'll just go up at the end."
Compromise.
- What year is this?
- This must be 2005.
- You're on MADD.
- Yeah.
- Okay.
- Right?
- So you say, "I wanna go up the end of the show
that's called "Pretty Funny Women."
- Yeah.
- Which gives women an opportunity
that usually they didn't have a lot of spots.
- Exactly, but I'll go up at the end.
- But I wanna go at the end.
- Yeah.
- The headline, "The Pretty Funny Women Show."
- Special guest.
- Got it.
- Okay, you're making me mad right now.
- I'm agreeing with you.
I literally just said got it.
- I don't think so.
- I just said got it.
- I'm trying to figure out the context.
I need context.
- Oh, if it was like an all Hispanic show, right?
- "Pretty Funny Bees."
- Yeah.
And you-
- And I popped in.
- Popped in.
At the level that you're at now, right?
Imagine the talent on the thing.
There's no name that these are,
it's basically open mic night.
- Right, I walk in and they're like,
"Hey, it's hot tamale night."
- Right, right.
And you go, "Yeah, I'll go up at the end."
You know, it's like-
- Okay, so just go back.
You said, "I wanna go up at the end."
- And the manager said-
- And he goes, "No."
- Right.
- So I got back in my car and I drove away,
but I told him,
maybe I sound like a baby.
- What did you say?
- I said, "If you don't put me up right now,
I drove two and a half hours."
- Right.
"I'll play this club again."
- Can I ask?
- And he goes, "Fine."
- Really?
- Yeah.
- Did you call anybody and say, "I'm coming down?"
- I just told you I did.
- Who did you contact?
- I called the phone guy during the day.
- And the phone guy was like, "Cool."
- Come on down.
- Right, miscommunication.
So you should have said to the manager,
"Didn't the phone guy tell you I'm coming?"
- Yeah, I probably said that.
- And he was like, "No, he didn't tell me."
- Yeah.
- And then you're like, "Oh, okay, well then fire that guy,
'cause that's his fault."
- That's fine.
I'm not gonna, all the doorman and the phone guys
are all stand-ups, right?
- Yeah.
- So I'm not gonna fucking ruin somebody's dream.
- Sure, but then, but it's not the manager's fault.
- It's not that big of a deal, it's La Jolla.
Just put me up.
- Okay, but it's not that big of a deal,
it's not that big of a deal, so go back.
No.
- No, because-
- But it's all over.
- I already said, "If you don't put me up,
I'm never coming back here."
And he goes, "That's fine with me."
- Right.
- And so, at that point, I'm like,
now I can never come back.
- But what I'm telling you is, it doesn't bother him.
It bothers you.
- It doesn't bother me.
- This is going back to my original point.
We harbor those things and it doesn't hurt him.
He doesn't lose any sleep about it.
It doesn't, he's never even thought about it
since it happened.
But it does bother you, 'cause you still know it so well.
- So what you want me to do is go, "I'm back."
- I want you to go, "Hey, I wanna come back."
- And then I see the guy.
- And he'll go, "Dude, it's so great to have you here.
"We wish you came over the years."
"I'm sorry that that fucking thing happened."
- God, you're making me so mad right now.
- But it's so real.
But I'm telling you what you,
you can fix something that is not even a problem.
- No, I will refuse.
I refuse.
You know what it is?
Let me give you a parallel.
When Rogan left the store.
When Rogan told the store.
- I refuse.
I'll tell you why I refuse.
- Okay, when he's fired.
What if he gets fired or quits?
Then will you go back?
- Oh, yeah.
- Okay, so it's all him.
- Yeah.
- Uh-huh.
- Oh, yeah.
I'll go.
Or he could call me and go, "Listen, I'm sorry."
- But what did he do?
- "I'm sorry for not putting you up."
- On the "Pretty Funny Women" show.
But that is a funny quote.
I'm sorry for not putting you up
on the "Pretty Funny Women" show.
- Right.
If it was like in LA, right?
- Yeah.
- And it's like- - But it's not LA.
- Just listen to what I'm saying, right?
- Right.
- If the lineup is like Sarah Tiana, Sarah Silverman,
you know what I mean?
Whitney Cummings, and they're-
- Ally Long.
- 100% I'd be like, "You know what, I can't be on the show."
- But why not?
- Because I'm not a woman.
- But why could you be on the other show?
- Because it's like a packed room
and it's like-
- Because they weren't famous enough, the other women.
- Exactly.
- Right.
- And you understand my point of view, right?
- I don't.
I mean, I know why you feel that way,
but I don't think you're right.
- Right.
- I think you're wrong.
I love you, but I think you're wrong.
- Okay.
- I think the manager was put in a bad position,
and then you, now after all these years,
you're big Bobby Lee,
you're in space right now of comedy.
You can do whatever you want.
Why don't you just go, "Well then, I wanna come back."
- Can I ask you another question?
- Yeah.
- Can I ask you another question?
- Is there any level that you can be-
- Yes.
- To get put up on that stage?
- Yes.
- If Chris Rock, let me just say,
if Chris Rock drove down there-
- Right.
- Could he go up there?
- He wouldn't do that.
- Oh, no, that's not true, because I've seen,
I was a doorman at the La Jolla comedy show.
- No, what I'm saying is if Chris-
- That's not true.
- Chris would call and go,
"I'm coming to come down and I'm coming up,"
and they would make it a thing.
- Right.
- So my point is, if you were more famous,
they would have been like,
"Yo, Chappelle is coming,"
and the whole show would have shut down.
- So what you're saying to me right now is that,
I just wasn't famous enough to make that happen.
- Well, to make the thing a thing, yeah.
You weren't famous enough to try to bump someone on the
"Pretty Funny Women" show.
- Right, so there's a level that you can, though.
- And I still don't think you should.
- But is there, it happens all the time.
- It happens, but it's like,
but it only should happen if like,
but like, I think all headliners know,
why would you need it?
You don't need to go.
- No, because I remember one time I was a-
- The circumstances are so specific.
- And listen, I was a doorman,
I was a doorman, right,
at the comedy store in La Jolla,
and on Tuesday nights, Fred Burns gave us the room.
So they go, "It's all six of you, we're doormen.
"You guys work your ass off to pack this room."
So we would take these tickets-
- Flyers, yeah.
- And go to, back then it was called Jack Murphy Stadium.
And when there was a Padres game, right,
we would pass out these tickets.
- Free tickets, right?
- And we sold out this room.
- Oh no, it was paid?
- No, I mean, it was a, yeah, it was a papered room.
- Papered room, yeah.
- But we got the whole Tuesday night, it was packed.
- Dope. - Right?
- Yeah.
- Our show.
- I love those days.
- We showed up and Chris Rock was in town.
- Cool.
- This is before Bring Your Pain, though.
- Bring The Pain.
- Bring The Pain.
- Right.
- All right?
And they go, "Chris is gonna go up."
- Yeah.
- In the middle of it.
- He got a lot of-
- And they do an hour.
- That's awesome.
- Right?
And there's nothing we could do.
- That's right.
- He went up.
- That's right.
- Did it.
- Right.
- And then some of us weren't able to go up.
You know what I mean?
And some of us got fucked.
And we worked really hard to do the show.
My point is, that's, you know what I mean?
- But you're not Chris Rock.
- But I was, but I know, I understand that.
But this is Chris, just let me defend myself.
- But you're not Chris Rock?
- I understand.
But this is Chris Rock, right?
Chris Rock was, became huge.
- Huge.
- After Bring The Pain.
- Huge.
- Right?
- Yep.
- Before Bring The Pain.
- We knew, it was Chris Rock.
He was fucking phenomenal.
- Right, but so what you're saying is that-
- Chris Rock arguably then is probably just as-
- So what you're saying, your point is,
I could have bumped, right?
- Yeah.
- Pretty Funny Women, if I was Chris Rock.
- Yeah.
- And I wasn't big enough.
- That's right.
- Okay.
- And since the circumstances were-
- Because it's also, I want to add this little thing into it.
It's also my home club.
- I know.
- I started there.
- That's why I think you should squash this.
- And it became, no, I will not.
I refuse to.
- How 'bout this?
- No, I refuse to.
- How 'bout, how 'bout, how 'bout we do a bad friend?
- I'm gonna double down.
- How 'bout we do a bad friend show then?
- I'm gonna double down.
- Would you do it with me?
- No, I'm not, refuse.
I'm gonna double down now, right?
- Double down.
- I'm gonna do everything I can.
From this point forward, I'm acting like a little baby.
- I love it.
- All right.
From this point forward, right?
- Yeah.
- I'm gonna do everything I can.
I will never give up.
- To take the club down.
- No, not the club to take the club down.
I will never give up.
I'm gonna try to get as big as I fucking can.