Name: The LEAST Sincere Thing Ever Said
Uploaded: 2025-04-25T17:15:01.000Z
Description: Watch the stand-up comedy video 'The LEAST Sincere Thing Ever Said' from Bad Friends Clips on Comedy Buff. Published 2025-04-25. Transcript available.

Watch the stand-up comedy video 'The LEAST Sincere Thing Ever Said' from Bad Friends Clips on Comedy Buff. Published 2025-04-25. Transcript available.

- That's amazing, thank you so much.
- And I know that you're being sarcastic right now,
but that is a beautiful thing from a friend.
- What the fuck are you, Andrew?
- Don't fuck our guest.
- No, fuck you, and I was being sincere.
Thank you so much. - I don't know, I don't know.
- It's hard for him to be sincere.
- It is a little hard for you.
- All right, let me do it again then.
- All right, do it again.
- Let me try it, hold on. - Hold on, dude.
- Please, give me a shot. - Sorry.
- Thank you so much.
- Why are you thanking me?
- Thank you so much. - Yeah.
- I forgot what the part was, you know what I mean?
Thank you, what about, do you have conflicts with India?
- See?
- Do you have conflicts with India?
- He really doesn't care.
- Ask me a question you really care about.
- Yeah, do you have conflicts with India?
- Yes, with India, the country I have.
- No, no, no. - He's talking about Akash.
- Oh, all the time, for sure.
- Okay, yeah, yeah. - But that's my homie.
That's my day one, so you get through it.
- Akash. - Yeah.
Actually, very rarely though.
- He stopped texting me for a while.
- Why? - 'Cause I never returned.
- Well, 'cause you didn't respond to him.
- Yeah, yeah, yeah.
- Were you going through something?
- No.
- He ghosted him on some shit.
- I'm weird about Indians. - Akash was upset about it.
- Aw, was it reasonable that he was upset?
- Yeah, yeah, he ghosted him.
He just never responded.
- But that's not because of a personal thing.
If he doesn't understand that, that's his problem.
- Yeah, wait, what?
- Have I ever texted you back?
- Yeah.
- Every time? - Every time.
- Yeah.
- You're a big star.
- I was gonna say you're number one on the call sheet.
- That's right.
- Does Bobby treat more famous people differently?
- Yeah.
- Oh my fucking God.
Really, brother.
- Here we go, brother.
- You know who doesn't do that?
- Huh? - Who?
- That's Santino. - That's right, baby.
Dude, he sucks.
- That's who doesn't do that.
- This guy, when we see somebody,
when we're with somebody who's famous.
- What does he do?
- Dude, dynamically changes shape.
- Tell me what.
- He puts what?
- He hides, too, eventually.
- He puts on a show and then he disappears
'cause he doesn't want them to over-analyze.
- Oh, so it's like, kill and then get out of there.
- 100%, kill him.
- So, the one example.
- He kills and he gets the fuck out of there.
- 'Cause you're like, I'm gonna fuck this up.
- Yeah, like, so Michael Bay, the director.
- Oh, let me tell the story.
- No, let me tell it, it's my story!
- Go ahead.
- God!
- Hold on, hold on, let him open it up.
Let him open it up.
- Or I'll let him tell the story first.
- Michael Bay, Michael Bay's wife
is a huge Bobby Lee fan.
He's like in love with Bobby Lee.
- Right.
- And so she convinced Michael, A, to listen to the show,
and then B, to start coming to see us live, right?
So Michael and his wife have come to the comedy store
a few times.
- That's a big deal.
- Yeah, and they come because Bobby Lee is,
they cannot get enough.
- Yeah.
- So the last time Michael Bay came,
the last, thank you, Carlos, for a little spit cup.
- Yeah.
- Guy who goes to WH Smith at the airport.
- The last time Michael Bay came to the comedy store,
me and him are back to back, tag teaming,
and it's a great hot night.
And he's in the green room.
I get off stage.
He's with Michael Bay and his wife,
who I do not know.
I'm not familiar with them.
I've barely, I've said hello and I get off stage.
And what do you do?
Go ahead, take it away, kid.
- Can I, can I take over the story?
- Yeah, I just fucking gave it to you.
- Okay, thank you.
- God.
- I don't like your energy right now.
Tone it down.
- No, go ahead.
- Okay.
So he comes, right?
And it's always.
So we're in the green room at the, in the main room,
in the, in the bathroom part.
- In the private, in like the other part.
- In the private part, right?
He sits down and it's always like World War II, right?
They're attacking.
You're, you know what I mean?
A convenience store owner.
- You're still a merchant guy.
- Yeah, yeah, yeah.
But it's a, it's a rule that, you know what I mean?
- Yeah, yeah.
- Explain me the history of LA culture.
- He's pitching him a role.
- Right, right.
- Right.
- And I get so discombobulated.
- Yeah, that's right.
- Is that the right word?
- Yeah, yeah, yeah.
- Discombobulated.
- Yeah.
- I go, I need to fucking do, pass.
And I pass Michael Bay to him.
- He literally grabs me and goes,
dude, come in here.
Come in here.
- And then what'd I do?
- I walk into the room and he disappears.
- To get the other guy.
- So then I'm in there with Michael Bay and his wife.
- I'm getting Bill Burry ready to be the tag.
- I will give credit.
Let me give credit where credit is due.
As soon as Bill walked in, I was like,
fuck yeah, I can get out of here.
- I did that for you.
- Because Michael and his wife, I don't know them well.
And I was also like, this is,
they're wanting to talk to him.
I'm this interim thing.
- So now they're pitching his role to you?
- No, no, they're not pitching me.
- Now it's more like, so how is comedy?
- Oh, fuck.
- Yeah, it's fucked.
- And just because they want to talk to him,
but he's so uncomfortable, he throws on me.
When I saw Bill walking, he's like,
what's up dude?
I was like, I was fucking gone.
- I'm the one that sent the bill.
- So that was very nice.
- I said, Michael Bay really wants, it was a lie.
- But he gets nervous.
He gets uncomfortable.
Yeah, he lied.
- And then Michael Bay was like, what are you doing?
- So you alley-ooped?
- I alley-ooped.
- Alley-ooped to Bill Burr.
Bill can't touch the net.
- But Michael Bay doesn't want it.
- He doesn't want it, dude.
- But they start hitting it off.
And I just, I went into the Hollywood.
- And guess who got the convenience store role
in World War II?
Bill Burr.
- Ken Jeong.
- He lost.
- But it's Ken Jeong in it.
So what I do, and this is the difference between him and I,
whereas I'm not comfortable.
Like he's invited me like, hey Lee.
I go, Michael, he goes, come over to Thanksgiving.
There's no way I'm gonna go over there for Thanksgiving.
- Oh, it's that close.
- So I don't show up.
- They love him.
- Yeah, yeah.
- His wife and Michael are like in love.
- Invited me to the Super Bowl.
I go, I'm going to Miami, which I was.
- Are you familiar with his work?
- Yeah, I love it.
- Yeah, he's a prolific film man.
- I love his movie.
They're like just action packed fun.
- He couldn't go to Michael Bay's thing for the Super Bowl
'cause he had to go with Jake Paul.
- You had to go with Jake Paul to do?
- To his Super Bowl party in Miami.
He flew to Miami for that.
- He's trying to dumb that one down.
- So you were so busy at the Super Bowl.
- Couldn't shoot that week, by the way.
We couldn't shoot the show 'cause I'm sick.
Oh, you're sick?
What'd you do the next morning?
Went to Miami with Jake Paul.
- Okay, I did that.
- Why didn't you get him tickets to the Super Bowl?
- I was at a Super Bowl party.
- I worked like a shill.
- At his house.
- I did a job.
- What were you doing?
- In Vegas, I did a job.
I took a check. - You were acting?
- I took a check.
No, I was doing a thing with Brian Urlacher.
It was like, yeah.
- Who's Brian Urlacher?
- He's an ex-NFL player.
- Exactly.
- What the fuck does that even mean?
- You mean?
- Big time, big time.
- He's big time.
- And then he's on the Celtic court front seat.
- I saw that.
- Who gets that?
Jack Nicholson and this guy.
- Celtic court?
- I wouldn't be able to get in the building.
- Jack Nicholson?
Are you just saying that because of the Departed?
- Yeah, yeah, yeah, yeah, yeah, yeah, yeah.
- He thinks Jack Nicholson's really white.
He pulled you.
- Yeah, yeah, yeah.
- Matt Damon, right?
- That's right.
- And Leo, right?
They go to the Celtic court.
- They only go to the Celtic court.
- Boston, right?
- Yeah.
- I couldn't get in the building.
- I don't believe that.
- And if I do, I'm the top row with the hand,
with the finger.
- I don't believe that.
- You know what I mean?
- You know what I mean?
- Thank you, by the way.
- Thank you so much.
- I don't believe that to be true.
- I don't believe that to be true, yeah.
- I'd have to buy a ticket.
There's no connections I have, and that's the truth.
- Do you think that they feel a little bit like,
what's that term, like a negged or whatever?
Like, they're trying so hard to, you know,
have you be part of their friend group,
and you're rejecting it so much.
- No, I never get right.
That's insane.
That's crazy talk.
- Carlos, validate that.
- Is that kind of what happens?
- Be real, Carlos will all get mad.
- No, don't use that as--
- Like a deer in headlights.
- No, because you're gaslighting him right now.
Let him answer his own fucking question.
Does he try, what Schultz just said,
does he try, when people are like ba-ba-ba-ba-ba,
does he try to push away from that?
- Yeah, because the more famous you are on the show,
the faster he'll come back here and hang,
something he never does.
- Exactly.
- Yeah, but you push away.
- I don't push away.
- You push away.
- I escape.
Two different things.
- Okay, dude, you get it.
- You know what I mean?
Let me ask you something.
If you're in Auschwitz, would you be digging holes?
- Oh my God.
- Wait, what?
- I think that's a wrong term of that.
If you're in a Japanese internment camp.
- There it is.
- Yeah, yeah, yeah, that's it.
If you're on a Japanese internment camp, right?
- Yeah, yeah, yeah.
- I'd be the Japanese going, I have to.
- Do you know how they made sure
there were just Japanese in there?
- They looked at the penises?
- No.
- Okay, that's what I did.
- But I was asking a friend of mine
whose parents were, no, grandparents were in the camps.
- George Takai, who was it?
- Japanese dude.
- Okay.
- And I was just like, how did they like,
'cause I feel back in the day
it was a little more loose, right?
- Oh yeah.
- Oh yeah, round them up.
- In there.
- Oh, you think there's a guy there going,
"I Chinese!"
- Well, wouldn't you?
- Hello, hello, I Chinese!
- Wouldn't you?
- Is that not the first thing?
- Look at the teeth!
- Right, maybe.
- By the way, that's a great movie,
an escape story of a guy who got out.
- Yeah, yeah, yeah.
- Who pretends to be other Chinese.
- "I Chinese."
- It's called "I Chinese"?
- "I Chinese."
- Yeah, yeah, yeah.
- And it's just a Korean guy being super racist
to other Asians.
- No, he's an American, he doesn't even have an accent.
- Right.
- But he survives, you know what I mean?
The Pearl Harbor, you know what I mean?
- "I Chinese."
- "I Chinese."
- "I Chinese."
- "I Chinese."
- "I Chinese."
- Yeah, yeah, yeah.
- And then when he's older, maybe the L.A. riots.
- "I Chinese."
He's an old man, "I Chinese."
- He gets out of all of them.
- It's a whole, it's an epic.
- Tell us what your guy said.
- So I asked him, I was like,
how did they figure it out?
They must've just lumped them all in there and like, whatever.
- Probably the last names, Andrew.
- No, well, how would that matter?
- And they would, yeah, what are you talking about?
- Sounds good.
Get in there.
- No, no, no, no.
- Get in there.
That's what I'm doing.
- He wouldn't do that.
- Dude, look at me.
- I'm border.
- Okay.
- Hey, what's your name, pal?
- Excuse me.
Can I ask a quick question?
- Yeah.
- Right?
- Yeah.
- What the fuck do I do here?
- Oh, oh, oh.
You're with the other Japanese guys.
Go, get in line.
- But, listen to your ear, right?
- Mm.
- "I Chinese."
- Prove it.
- "Zip."
- "This guy's Chinese."
- That's how it'd go.
I would show my name.
- So, he goes, "Oh, yeah, they just spoke to him
in other Asian languages, and if they couldn't speak back,
they knew that they were Japanese."
- Oh, wow.
- And I'm like, whoa, that is way easier.
- That's way easier.
- That's like the easiest thing.
- Oh, wait, because the Japanese knew English?
- No, they would speak to the Japanese guy in Korean,
and if he couldn't speak back, they'd be like,
"Oh, that's a fucking..."
- Oh, wow, that's a good, clever way of doing it.
- Yeah, isn't it?
- Yeah, yeah, yeah.
- Yeah, we were just rounding you up.
- Yeah, yeah.
But what if it's like a Japanese--
- Ian Santino are giving the job
to round up all the Japanese?
They're like, "This is gonna be fucking easy."
- It's so easy.
- Yeah, but my argument against that is there was something,
'cause Japanese have been a part of America for so long.
- A lot of them didn't even speak Japanese.
- Yeah, that's all.
- Yeah, some of them were second-generation Asians.
- Dude, my friend's parents didn't speak Japanese.
And then after that, it stopped.
Like, they stopped entirely.
- Yeah.
- 'Cause that's how you end up in a camp.
- And that's what happened to George Takai.
- Yeah.
- George Takai, as a kid, he was Japanese, though.
- But he was in a camp as a kid,
so they got it right. - He was in a camp as a kid.
- Yeah, they nailed it on that. - But then he got "Star Trek".
- Right.
- Then he got "Star Trek", I think it's even.
- Well, we gave him "Star Trek" to make up for what we did.
- That's the reparations.
- Yeah, yeah, yeah.
- TV star, that's good.
- 40 episodes, that's what he got, 40 episodes.
- 40 episodes in a mule.
- Let me ask you about the baby.
- Yes, talk to me about the baby.
- How many do we have now?
- Yeah, I got one. - Still one.
- Yeah, still one.
- I was talking to Kalilah earlier today.
- It's never enough.
- And I asked her.
- It's never enough.
It can't just be congrats on one.
- Yeah, go on.
- Call him when you get the truth.
- Congratulations.
- Yeah, thank you.
Oh, thank you, yeah, yeah.
- I think we're past that.
- Yeah, yeah.
- You know how I feel about it.
- Yeah, how do you feel?
- I don't like it.
- Ooh, yeah, ooh, yeah, ooh, yeah, ooh, yeah, ooh, yeah, ooh, yeah.

The LEAST Sincere Thing Ever Said

- That's amazing, thank you so much.
- And I know that you're being sarcastic right now,
but that is a beautiful thing from a friend.
- What the fuck are you, Andrew?
- Don't fuck our guest.
- No, fuck you, and I was being sincere.
Thank you so much. - I don't know, I don't know.
- It's hard for him to be sincere.
- It is a little hard for you.
- All right, let me do it again then.
- All right, do it again.
- Let me try it, hold on. - Hold on, dude.
- Please, give me a shot. - Sorry.
- Thank you so much.
- Why are you thanking me?
- Thank you so much. - Yeah.
- I forgot what the part was, you know what I mean?
Thank you, what about, do you have conflicts with India?
- See?
- Do you have conflicts with India?
- He really doesn't care.
- Ask me a question you really care about.
- Yeah, do you have conflicts with India?
- Yes, with India, the country I have.
- No, no, no. - He's talking about Akash.
- Oh, all the time, for sure.
- Okay, yeah, yeah. - But that's my homie.
That's my day one, so you get through it.
- Akash. - Yeah.
Actually, very rarely though.
- He stopped texting me for a while.
- Why? - 'Cause I never returned.
- Well, 'cause you didn't respond to him.
- Yeah, yeah, yeah.
- Were you going through something?
- No.
- He ghosted him on some shit.
- I'm weird about Indians. - Akash was upset about it.
- Aw, was it reasonable that he was upset?
- Yeah, yeah, he ghosted him.
He just never responded.
- But that's not because of a personal thing.
If he doesn't understand that, that's his problem.
- Yeah, wait, what?
- Have I ever texted you back?
- Yeah.
- Every time? - Every time.
- Yeah.
- You're a big star.
- I was gonna say you're number one on the call sheet.
- That's right.
- Does Bobby treat more famous people differently?
- Yeah.
- Oh my fucking God.
Really, brother.
- Here we go, brother.
- You know who doesn't do that?
- Huh? - Who?
- That's Santino. - That's right, baby.
Dude, he sucks.
- That's who doesn't do that.
- This guy, when we see somebody,
when we're with somebody who's famous.
- What does he do?
- Dude, dynamically changes shape.
- Tell me what.
- He puts what?
- He hides, too, eventually.
- He puts on a show and then he disappears
'cause he doesn't want them to over-analyze.
- Oh, so it's like, kill and then get out of there.
- 100%, kill him.
- So, the one example.
- He kills and he gets the fuck out of there.
- 'Cause you're like, I'm gonna fuck this up.
- Yeah, like, so Michael Bay, the director.
- Oh, let me tell the story.
- No, let me tell it, it's my story!
- Go ahead.
- God!
- Hold on, hold on, let him open it up.
Let him open it up.
- Or I'll let him tell the story first.
- Michael Bay, Michael Bay's wife
is a huge Bobby Lee fan.
He's like in love with Bobby Lee.
- Right.
- And so she convinced Michael, A, to listen to the show,
and then B, to start coming to see us live, right?
So Michael and his wife have come to the comedy store
a few times.
- That's a big deal.
- Yeah, and they come because Bobby Lee is,
they cannot get enough.
- Yeah.
- So the last time Michael Bay came,
the last, thank you, Carlos, for a little spit cup.
- Yeah.
- Guy who goes to WH Smith at the airport.
- The last time Michael Bay came to the comedy store,
me and him are back to back, tag teaming,
and it's a great hot night.
And he's in the green room.
I get off stage.
He's with Michael Bay and his wife,
who I do not know.
I'm not familiar with them.
I've barely, I've said hello and I get off stage.
And what do you do?
Go ahead, take it away, kid.
- Can I, can I take over the story?
- Yeah, I just fucking gave it to you.
- Okay, thank you.
- God.
- I don't like your energy right now.
Tone it down.
- No, go ahead.
- Okay.
So he comes, right?
And it's always.
So we're in the green room at the, in the main room,
in the, in the bathroom part.
- In the private, in like the other part.
- In the private part, right?
He sits down and it's always like World War II, right?
They're attacking.
You're, you know what I mean?
A convenience store owner.
- You're still a merchant guy.
- Yeah, yeah, yeah.
But it's a, it's a rule that, you know what I mean?
- Yeah, yeah.
- Explain me the history of LA culture.
- He's pitching him a role.
- Right, right.
- Right.
- And I get so discombobulated.
- Yeah, that's right.
- Is that the right word?
- Yeah, yeah, yeah.
- Discombobulated.
- Yeah.
- I go, I need to fucking do, pass.
And I pass Michael Bay to him.
- He literally grabs me and goes,
dude, come in here.
Come in here.
- And then what'd I do?
- I walk into the room and he disappears.
- To get the other guy.
- So then I'm in there with Michael Bay and his wife.
- I'm getting Bill Burry ready to be the tag.
- I will give credit.
Let me give credit where credit is due.
As soon as Bill walked in, I was like,
fuck yeah, I can get out of here.
- I did that for you.
- Because Michael and his wife, I don't know them well.
And I was also like, this is,
they're wanting to talk to him.
I'm this interim thing.
- So now they're pitching his role to you?
- No, no, they're not pitching me.
- Now it's more like, so how is comedy?
- Oh, fuck.
- Yeah, it's fucked.
- And just because they want to talk to him,
but he's so uncomfortable, he throws on me.
When I saw Bill walking, he's like,
what's up dude?
I was like, I was fucking gone.
- I'm the one that sent the bill.
- So that was very nice.
- I said, Michael Bay really wants, it was a lie.
- But he gets nervous.
He gets uncomfortable.
Yeah, he lied.
- And then Michael Bay was like, what are you doing?
- So you alley-ooped?
- I alley-ooped.
- Alley-ooped to Bill Burr.
Bill can't touch the net.
- But Michael Bay doesn't want it.
- He doesn't want it, dude.
- But they start hitting it off.
And I just, I went into the Hollywood.
- And guess who got the convenience store role
in World War II?
Bill Burr.
- Ken Jeong.
- He lost.
- But it's Ken Jeong in it.
So what I do, and this is the difference between him and I,
whereas I'm not comfortable.
Like he's invited me like, hey Lee.
I go, Michael, he goes, come over to Thanksgiving.
There's no way I'm gonna go over there for Thanksgiving.
- Oh, it's that close.
- So I don't show up.
- They love him.
- Yeah, yeah.
- His wife and Michael are like in love.
- Invited me to the Super Bowl.
I go, I'm going to Miami, which I was.
- Are you familiar with his work?
- Yeah, I love it.
- Yeah, he's a prolific film man.
- I love his movie.
They're like just action packed fun.
- He couldn't go to Michael Bay's thing for the Super Bowl
'cause he had to go with Jake Paul.
- You had to go with Jake Paul to do?
- To his Super Bowl party in Miami.
He flew to Miami for that.
- He's trying to dumb that one down.
- So you were so busy at the Super Bowl.
- Couldn't shoot that week, by the way.
We couldn't shoot the show 'cause I'm sick.
Oh, you're sick?
What'd you do the next morning?
Went to Miami with Jake Paul.
- Okay, I did that.
- Why didn't you get him tickets to the Super Bowl?
- I was at a Super Bowl party.
- I worked like a shill.
- At his house.
- I did a job.
- What were you doing?
- In Vegas, I did a job.
I took a check. - You were acting?
- I took a check.
No, I was doing a thing with Brian Urlacher.
It was like, yeah.
- Who's Brian Urlacher?
- He's an ex-NFL player.
- Exactly.
- What the fuck does that even mean?
- You mean?
- Big time, big time.
- He's big time.
- And then he's on the Celtic court front seat.
- I saw that.
- Who gets that?
Jack Nicholson and this guy.
- Celtic court?
- I wouldn't be able to get in the building.
- Jack Nicholson?
Are you just saying that because of the Departed?
- Yeah, yeah, yeah, yeah, yeah, yeah, yeah.
- He thinks Jack Nicholson's really white.
He pulled you.
- Yeah, yeah, yeah.
- Matt Damon, right?
- That's right.
- And Leo, right?
They go to the Celtic court.
- They only go to the Celtic court.
- Boston, right?
- Yeah.
- I couldn't get in the building.
- I don't believe that.
- And if I do, I'm the top row with the hand,
with the finger.
- I don't believe that.
- You know what I mean?
- You know what I mean?
- Thank you, by the way.
- Thank you so much.
- I don't believe that to be true.
- I don't believe that to be true, yeah.
- I'd have to buy a ticket.
There's no connections I have, and that's the truth.
- Do you think that they feel a little bit like,
what's that term, like a negged or whatever?
Like, they're trying so hard to, you know,
have you be part of their friend group,
and you're rejecting it so much.
- No, I never get right.
That's insane.
That's crazy talk.
- Carlos, validate that.
- Is that kind of what happens?
- Be real, Carlos will all get mad.
- No, don't use that as--
- Like a deer in headlights.
- No, because you're gaslighting him right now.
Let him answer his own fucking question.
Does he try, what Schultz just said,
does he try, when people are like ba-ba-ba-ba-ba,
does he try to push away from that?
- Yeah, because the more famous you are on the show,
the faster he'll come back here and hang,
something he never does.
- Exactly.
- Yeah, but you push away.
- I don't push away.
- You push away.
- I escape.
Two different things.
- Okay, dude, you get it.
- You know what I mean?
Let me ask you something.
If you're in Auschwitz, would you be digging holes?
- Oh my God.
- Wait, what?
- I think that's a wrong term of that.
If you're in a Japanese internment camp.
- There it is.
- Yeah, yeah, yeah, that's it.
If you're on a Japanese internment camp, right?
- Yeah, yeah, yeah.
- I'd be the Japanese going, I have to.
- Do you know how they made sure
there were just Japanese in there?
- They looked at the penises?
- No.
- Okay, that's what I did.
- But I was asking a friend of mine
whose parents were, no, grandparents were in the camps.
- George Takai, who was it?
- Japanese dude.
- Okay.
- And I was just like, how did they like,
'cause I feel back in the day
it was a little more loose, right?
- Oh yeah.
- Oh yeah, round them up.
- In there.
- Oh, you think there's a guy there going,
"I Chinese!"
- Well, wouldn't you?
- Hello, hello, I Chinese!
- Wouldn't you?
- Is that not the first thing?
- Look at the teeth!
- Right, maybe.
- By the way, that's a great movie,
an escape story of a guy who got out.
- Yeah, yeah, yeah.
- Who pretends to be other Chinese.
- "I Chinese."
- It's called "I Chinese"?
- "I Chinese."
- Yeah, yeah, yeah.
- And it's just a Korean guy being super racist
to other Asians.
- No, he's an American, he doesn't even have an accent.
- Right.
- But he survives, you know what I mean?
The Pearl Harbor, you know what I mean?
- "I Chinese."
- "I Chinese."
- "I Chinese."
- "I Chinese."
- "I Chinese."
- Yeah, yeah, yeah.
- And then when he's older, maybe the L.A. riots.
- "I Chinese."
He's an old man, "I Chinese."
- He gets out of all of them.
- It's a whole, it's an epic.
- Tell us what your guy said.
- So I asked him, I was like,
how did they figure it out?
They must've just lumped them all in there and like, whatever.
- Probably the last names, Andrew.
- No, well, how would that matter?
- And they would, yeah, what are you talking about?
- Sounds good.
Get in there.
- No, no, no, no.
- Get in there.
That's what I'm doing.
- He wouldn't do that.
- Dude, look at me.
- I'm border.
- Okay.
- Hey, what's your name, pal?
- Excuse me.
Can I ask a quick question?
- Yeah.
- Right?
- Yeah.
- What the fuck do I do here?
- Oh, oh, oh.
You're with the other Japanese guys.
Go, get in line.
- But, listen to your ear, right?
- Mm.
- "I Chinese."
- Prove it.
- "Zip."
- "This guy's Chinese."
- That's how it'd go.
I would show my name.
- So, he goes, "Oh, yeah, they just spoke to him
in other Asian languages, and if they couldn't speak back,
they knew that they were Japanese."
- Oh, wow.
- And I'm like, whoa, that is way easier.
- That's way easier.
- That's like the easiest thing.
- Oh, wait, because the Japanese knew English?
- No, they would speak to the Japanese guy in Korean,
and if he couldn't speak back, they'd be like,
"Oh, that's a fucking..."
- Oh, wow, that'