Name: Bobby Lee Sings the WRONG Song Lyrics to Josh Homme!
Uploaded: 2025-07-25T18:21:26.000Z
Description: Watch the stand-up comedy video 'Bobby Lee Sings the WRONG Song Lyrics to Josh Homme!' from Bad Friends Clips on Comedy Buff. Published 2025-07-25. Transcript available.

Watch the stand-up comedy video 'Bobby Lee Sings the WRONG Song Lyrics to Josh Homme!' from Bad Friends Clips on Comedy Buff. Published 2025-07-25. Transcript available.

- I'm a huge fan of Queens of the Stone Age,
one of my favorite bands.
I also like them Crooked Vultures.
That album is so good.
- We've talked about you on the show
behind your back very often.
- Very often.
- Enough where our fans are like,
- Yes.
- Who cares, shut up.
- Sometimes what I do is,
you know, if you go to iTunes
and you go to Queens of the Stone Age, right?
- Sure.
- And they have that animatic, right?
And it has him dancing in it.
- Yeah.
- You just stare at him dancing.
You know what I mean?
- You're wearing a leather jacket, you're dancing.
- That's not creepy at all.
- You know what it is?
Because you're a tall drink of water.
- Yeah.
- And you dancing is the cell.
They did that on the boomerang.
You're talking about like the loop.
- Yeah, he'll do it.
Yeah.
And no matter what song is playing.
- Yeah, you're dancing.
- You're dancing in that thing matches it.
- No, that doesn't sound that cool to me.
- It doesn't?
- Yeah, I mean, yeah, yes it does.
- See?
- Do you choose that or no?
- No.
- Does Apple go, hey, look what we got.
- I can't watch, I can't watch a video or a thing like that.
I can listen to music, but I can't watch.
- Yeah.
- You can't watch yourself dance?
- No.
- Can you watch yourself dance?
- Well, I've seen it.
- Well, here's the thing.
- Do you want to see it though?
That's the, I mean, I've seen it,
but I don't know if I want to see myself.
- Oh, right.
Like it's not, not even, it's not specifically dance.
It's just like play and just.
- It's moves.
- Yeah, play and.
- But because I'm supposed to be funny, it's fine,
but he's supposed to be sexy and cool.
- Yeah, but his stance is, it's gonna be sexier.
It's gonna be sexier than your dancing hair.
- Yeah, yeah, yeah.
There's nothing I can do that's gonna dance as cool
or even guitar moves.
- It's all in the hips.
- Yeah, it is.
- You know, that realization.
I, when I was 13, I went to the eighth grade prom
and all those boys were sort of holding up the wall.
- Yeah.
- You know, and I wanted so bad to dance with Sheree Dunham.
- Oh, we love a Sheree Dunham.
- Yeah, who?
Over there?
- That one's yours, right there.
- I feel like, I feel like they also love a Sheree Dunham.
- Yeah, yeah.
- You like Sheree Dunham, don't you?
- I love Sheree Dunham.
And all the girls were dancing in the center of the thing.
And I said, fuck it, I'm gonna do this.
And I said, come on, I've tried to get someone
to go with me.
- Right.
- The girls were dancing and I just said, fuck it.
And I just started shimming out there.
And I probably looked about as, you know,
restuperdiculam as you could look, right, you know.
- But you committed.
- But I was, it was too late.
- Yeah, you're out.
- You can't go back.
- No, you gotta go deeper.
- Yeah, so I went deep and I did,
Sheree and these girls, they're all dancing together.
They turn around, they start laughing,
but it was like a cute kind of giggle.
And I kept, so I just added more to it.
Like, hey, I think even, I'm probably lying about this part,
but who cares?
Let's say I wasn't.
- I'm pointing around, yeah, yeah, yeah.
There's Germany, that's South America, whatever.
- Yeah, yeah, yeah, yeah.
- Yeah, yeah.
Antarctica, wait, that's wherever that is.
- Well, whatever science says it is, yeah.
- And I went out, but I realized their laughter was like,
they started saying, come out here.
- Yes, yes, yes.
- And ever since then, I was always like,
I'm, goddammit, I'm gonna dance.
- Who was your, who was your Sheree Dunham?
- Mine?
- Yeah, who was yours?
- My Sheree Dunham was, um.
- I can tell you.
- Well, I'm gonna say something.
What?
- I got one on the tip of my.
- No, I got one, Megan Stallard.
- Mine's a Megan too.
- Yours is?
- Megan Brisk.
- Megan Stallard, and I'll tell you,
she never did anything with me.
- No, yeah, neither did mine.
- But I'll tell you what song came out.
- What?
- When I found out that she didn't like me.
Nothing Compared to You by Senator Conner.
- What a song.
- And I remember I had a fucking Honda Civic.
- Sure you did, yeah, that makes sense.
- Why, I'm Korean.
- What?
- Well, you didn't have a Hyundai.
- And I didn't have a Hyundai.
- They didn't have it.
- Yeah, yeah, but I would've been in a Hyundai.
- You would if they had it.
- Oh, you would've, you would've country committed?
- Yeah, yeah, yeah, yeah, yeah.
- You would've backed it.
- You have to country, you have to, are you?
Yeah, you have to country commit.
- You have to.
- Yeah, yeah, yeah.
- As an Asian, they have to.
- Yeah, yeah, yeah.
- It's really weird if they don't.
- Yeah.
So anyway, when Nothing Compared to You came out.
- So good.
- I love sinking into sad music.
- Oh yeah.
- I do too.
- Especially for all that stuff when you don't know how to say
how you're feeling or you're unwilling to try.
- Yeah.
- And like, Nothing Compares to You, that song.
- Oh yeah.
- You gotta be kidding me with that song.
- Yeah.
- I don't know what some of it means, like, "Baba."
- Yeah, "Baba."
- Who's "Baba"?
- It's not "Baba."
- What is it?
- It says "Mama."
- Really?
- Yeah.
- It's not "Baba."
"Baba" would be like someone-
- Wait, wait, wait, wait.
It's gotta be "Baba."
- It's "Mama."
- It's "Mama."
- It is?
- So you think, wait, I just want to-
- Wait, wait, wait, wait, wait, wait, wait.
- I need to ask a question.
- Wait, wait, wait, wait, wait, wait, wait, wait.
- I need to ask a question.
- Wait, wait, wait, wait.
- You think, you thought, until now,
it was all the flowers that you planted, "Baba."
Now, I want an answer.
- That's what I thought it was.
- Oh my God.
- Yeah, because you thought "Baba" was just some hillbilly.
- All the flowers that you planted, "Baba."
- That's what I thought it was.
And in my mind, always, I'm like,
"Baba must've been the boyfriend of the guy that her feeling."
- No, no, that's the gardener.
"Baba the gardener."
- "Baba the gardener."
- Planted all the flowers.
- In the overalls.
- Oh, right.
- Your flowers are done.
- Oh, you've never done that where you thought
the lyric was one thing and now-
- I do it all the time.
- Thank you.
- I'm just focusing on you right now.
- Yeah, we're fucking with you.
- All right, thank you, Josh, for correcting me.
- It's "Mama."
- I think it's very cute that you thought that it was "Baba."
- Thank you.
- Because "Mama" would've been a logical jump.
- Easy.
- But you're like, "Fuck all that shit."
- Yeah.
- "I'm going to Baba's house."
- "Baba's house, baby."
- Well, she's Irish.
I thought "Baba" was a term.
- In Ireland?
- Yeah, yeah, yeah.
- Hey there, "Baba."
Have a drink with me, "Baba."
- I'm Irish, and I can tell you that "Baba"--
- "Baba's not a thing."
- It says by Sinead O'Connor, but it's not.
It's written by Prince.
- It's written by Prince, yes.
- What is that?
What's wrong?
Why is it--?
- That's some Wikipedia shit right there.
- That's some fucked up shit.
- But did she--?
- That's how you know not to trust whatever the fuck.
- Maybe it is, "Baba."
- Maybe it is, "Baba."
- See, it is, "Baba."
These lyrics are wrong.
- Yeah, that's right.
I knew that Prince wrote it.
- You did.
- Yeah, and maybe it was like an urban thing.
- Okay.
- "What's up, Baba?"
- Yeah, I like music.
We sung a song before you came in.
I didn't even get to talk about the song,
but it's called "Put Me Down Easy."
- Ooh.
- And it's by--
- Is it about a dog?
Sing it to see if Josh knows what to do.
- That's insane.
I'm not gonna fucking sing in front of him.
- No, sing it!
- In front of him?
- Yeah, sing it!
- Just don't fight over me.
I'll go to Christmas.
- But look it up.
This is what's fascinating about it,
'cause when I first heard the song,
it's a great song.
It's beautiful.
But I like soul songs that sound happy, but are sad.
- Yeah.
- That's one of my favorite things.
- So the music and the melody's kind of uplifting,
but then you read the words and you go--
- And it's dark as fuck.
I love it.
So this song was written by Elsie Cook,
none other than Sam Cook's brother.
- "Don't make it rougher and don't make me suffer."
- "Put Me Down Easy."
- "Put Me Down Easy."
That's hard.
- Such a beautiful, I said the terminology.
- You know, that's begging for mercy.
- Yeah.
- And honestly, things like mercy,
those topics are the things I love the most
to sing about, sing about.
- Yeah.
- 'Cause they're so tragic, fragile.
- Oof.
- So, you know--
- And real though, they're so real.
- Yeah, everyone--
- When you hear that, everyone,
it's a universal feeling of like,
when you're gonna get broken up with,
or someone's gonna go away in your life,
you, like, that feeling you know that's coming,
eh, oh my God, everyone's felt that.
I don't care who you are, where you're from,
what you're done.
And so, yes, this is the kind of shit
I'll cry to if I really want to get hit.
- Yeah, I like about mercy too.
- You are, you're a mercy boy.
- I love mercy too.
- Yeah.
- Let me ask you, is it hard to write lyrics?
- No, I mean, no, because I mean,
imagine all the albums--
- Hold on one second.
- Right.
- Did everyone just have a flashback
to Chris Farley talking to Paul McCartney?
When you write songs, is it songs that you write
when you write them, are they songs?
That's what you just said.
- No, that was a legit.
I think it was a legit.
- Nah, fuck him.
You suck, you got up.
- No, no, that's no joke.
- Get a real question.
- No, what I'm saying.
- Is it hard to write jokes?
- Yes.
- That's an annoying question.
- Oh, all right.
- No, but the reason I actually like this question--
- Don't do this, Tim, don't give a joke.
- Can I rephrase it?
- No, you don't need to.
- Okay, thank you, Josh, go ahead.
- I think, I think--
- Fuck you, dude, you humiliate me.
I'm a fuck a fan.
- You're okay?
- Yeah.
- All right.
- I think it is extremely difficult sometimes.
- Thank you.
- I find it challenging because I would like to say something,
especially as the year's going,
I really wanna say something vulnerable in words
that are kinda juicy and colorful and economical.
Like I wanted to, and some things are actually hard.
Sometimes you write words or you write jokes
that you're like, "Ah, can I actually say this?"
- We do that a lot.
- A lot, yeah.
- We just will say it, unfortunately.
- Yeah, unfortunately, yeah.
- It comes out.
- All the fucking time, you know?
- Yeah.
- 'Cause I wanna say something,
and I actually want someone to,
I want a certain group of people
to be annoyed or upset by what I said.
- Oh, yeah.
- Oh, right.
- In the manner in which you say it, you know?
- Yeah.
- Well, how about this?
Tell me, it was a good question.
I'm just teasing, I love you so much.
- It's okay, I let it go.
- Okay, this is artist self-stroke stuff,
but I do wanna know, in your opinion,
whether or not it was universally received in that way,
what's the song that you wrote that you're like,
that's the best song I've ever written?
Where you're like, it's no doubt.
And people, like there's jokes, we talk about this.
Sometimes comics will write a joke,
and it's not our best joke to them.
- Right.
- But I'm like, that's so, I love that joke,
and they may think it's,
they think another thing is funnier, you know?
- I think you get familiar with something,
and so you're, and you're, I mean,
it's not exactly the answer to what you're saying,
but our biggest song, "No One Knows,"
I don't get sick of playing that ever.
- Love that song.
- And I find that annoying when people say,
well, we're not gonna play this anymore.
I think it's somehow, I love our audience,
even though I hate groups of people.
- Yeah, I get it.
- We get it, yeah.
- We can't fucking stand these guys in the window.
- I'm just highly suspect of not just them.
- Yeah.
- But yes, them.
- Them.
- But I'm highly suspect of groups of people, you know?
- Yeah, they're dangerous.
- It feels like the mob.
- Yeah.
- And I know that we're asking for groups of individuals,
which doesn't make any sense, you know?
You know, I would like a bunch of,
but I would like a few people from each clique.
- Yeah, yeah, yeah, yeah, yeah.
- Like we just played in Madison.
Do you ever go to Madison to do shows?
- Love.
- Madison, Wisconsin?
- I fucking love it there.
- It's one of the best cities ever.
- It's one of the best cities in America, hands down.
And our audience is so bananas.
It was like a grandpa, the grandson,
fucking goth girls, fucking love goth girls.
And then, you know, like tweakers, bikers, hippies.
- Yeah.
- You know, like, you know, college kids.
- Yeah, it was such a, like a hometown buffet.
- Yeah.
- Oh, wow.
- You know?
- Yeah.
- And I just thought, oh my God,
this is the type of group I like.
- Perfect.
- You know?
- It's like a picking of all of the people.
*outro music*

Bobby Lee Sings the WRONG Song Lyrics to Josh Homme!

- I'm a huge fan of Queens of the Stone Age,
one of my favorite bands.
I also like them Crooked Vultures.
That album is so good.
- We've talked about you on the show
behind your back very often.
- Very often.
- Enough where our fans are like,
- Yes.
- Who cares, shut up.
- Sometimes what I do is,
you know, if you go to iTunes
and you go to Queens of the Stone Age, right?
- Sure.
- And they have that animatic, right?
And it has him dancing in it.
- Yeah.
- You just stare at him dancing.
You know what I mean?
- You're wearing a leather jacket, you're dancing.
- That's not creepy at all.
- You know what it is?
Because you're a tall drink of water.
- Yeah.
- And you dancing is the cell.
They did that on the boomerang.
You're talking about like the loop.
- Yeah, he'll do it.
Yeah.
And no matter what song is playing.
- Yeah, you're dancing.
- You're dancing in that thing matches it.
- No, that doesn't sound that cool to me.
- It doesn't?
- Yeah, I mean, yeah, yes it does.
- See?
- Do you choose that or no?
- No.
- Does Apple go, hey, look what we got.
- I can't watch, I can't watch a video or a thing like that.
I can listen to music, but I can't watch.
- Yeah.
- You can't watch yourself dance?
- No.
- Can you watch yourself dance?
- Well, I've seen it.
- Well, here's the thing.
- Do you want to see it though?
That's the, I mean, I've seen it,
but I don't know if I want to see myself.
- Oh, right.
Like it's not, not even, it's not specifically dance.
It's just like play and just.
- It's moves.
- Yeah, play and.
- But because I'm supposed to be funny, it's fine,
but he's supposed to be sexy and cool.
- Yeah, but his stance is, it's gonna be sexier.
It's gonna be sexier than your dancing hair.
- Yeah, yeah, yeah.
There's nothing I can do that's gonna dance as cool
or even guitar moves.
- It's all in the hips.
- Yeah, it is.
- You know, that realization.
I, when I was 13, I went to the eighth grade prom
and all those boys were sort of holding up the wall.
- Yeah.
- You know, and I wanted so bad to dance with Sheree Dunham.
- Oh, we love a Sheree Dunham.
- Yeah, who?
Over there?
- That one's yours, right there.
- I feel like, I feel like they also love a Sheree Dunham.
- Yeah, yeah.
- You like Sheree Dunham, don't you?
- I love Sheree Dunham.
And all the girls were dancing in the center of the thing.
And I said, fuck it, I'm gonna do this.
And I said, come on, I've tried to get someone
to go with me.
- Right.
- The girls were dancing and I just said, fuck it.
And I just started shimming out there.
And I probably looked about as, you know,
restuperdiculam as you could look, right, you know.
- But you committed.
- But I was, it was too late.
- Yeah, you're out.
- You can't go back.
- No, you gotta go deeper.
- Yeah, so I went deep and I did,
Sheree and these girls, they're all dancing together.
They turn around, they start laughing,
but it was like a cute kind of giggle.
And I kept, so I just added more to it.
Like, hey, I think even, I'm probably lying about this part,
but who cares?
Let's say I wasn't.
- I'm pointing around, yeah, yeah, yeah.
There's Germany, that's South America, whatever.
- Yeah, yeah, yeah, yeah.
- Yeah, yeah.
Antarctica, wait, that's wherever that is.
- Well, whatever science says it is, yeah.
- And I went out, but I realized their laughter was like,
they started saying, come out here.
- Yes, yes, yes.
- And ever since then, I was always like,
I'm, goddammit, I'm gonna dance.
- Who was your, who was your Sheree Dunham?
- Mine?
- Yeah, who was yours?
- My Sheree Dunham was, um.
- I can tell you.
- Well, I'm gonna say something.
What?
- I got one on the tip of my.
- No, I got one, Megan Stallard.
- Mine's a Megan too.
- Yours is?
- Megan Brisk.
- Megan Stallard, and I'll tell you,
she never did anything with me.
- No, yeah, neither did mine.
- But I'll tell you what song came out.
- What?
- When I found out that she didn't like me.
Nothing Compared to You by Senator Conner.
- What a song.
- And I remember I had a fucking Honda Civic.
- Sure you did, yeah, that makes sense.
- Why, I'm Korean.
- What?
- Well, you didn't have a Hyundai.
- And I didn't have a Hyundai.
- They didn't have it.
- Yeah, yeah, but I would've been in a Hyundai.
- You would if they had it.
- Oh, you would've, you would've country committed?
- Yeah, yeah, yeah, yeah, yeah.
- You would've backed it.
- You have to country, you have to, are you?
Yeah, you have to country commit.
- You have to.
- Yeah, yeah, yeah.
- As an Asian, they have to.
- Yeah, yeah, yeah.
- It's really weird if they don't.
- Yeah.
So anyway, when Nothing Compared to You came out.
- So good.
- I love sinking into sad music.
- Oh yeah.
- I do too.
- Especially for all that stuff when you don't know how to say
how you're feeling or you're unwilling to try.
- Yeah.
- And like, Nothing Compares to You, that song.
- Oh yeah.
- You gotta be kidding me with that song.
- Yeah.
- I don't know what some of it means, like, "Baba."
- Yeah, "Baba."
- Who's "Baba"?
- It's not "Baba."
- What is it?
- It says "Mama."
- Really?
- Yeah.
- It's not "Baba."
"Baba" would be like someone-
- Wait, wait, wait, wait.
It's gotta be "Baba."
- It's "Mama."
- It's "Mama."
- It is?
- So you think, wait, I just want to-
- Wait, wait, wait, wait, wait, wait, wait.
- I need to ask a question.
- Wait, wait, wait, wait, wait, wait, wait, wait.
- I need to ask a question.
- Wait, wait, wait, wait.
- You think, you thought, until now,
it was all the flowers that you planted, "Baba."
Now, I want an answer.
- That's what I thought it was.
- Oh my God.
- Yeah, because you thought "Baba" was just some hillbilly.
- All the flowers that you planted, "Baba."
- That's what I thought it was.
And in my mind, always, I'm like,
"Baba must've been the boyfriend of the guy that her feeling."
- No, no, that's the gardener.
"Baba the gardener."
- "Baba the gardener."
- Planted all the flowers.
- In the overalls.
- Oh, right.
- Your flowers are done.
- Oh, you've never done that where you thought
the lyric was one thing and now-
- I do it all the time.
- Thank you.
- I'm just focusing on you right now.
- Yeah, we're fucking with you.
- All right, thank you, Josh, for correcting me.
- It's "Mama."
- I think it's very cute that you thought that it was "Baba."
- Thank you.
- Because "Mama" would've been a logical jump.
- Easy.
- But you're like, "Fuck all that shit."
- Yeah.
- "I'm going to Baba's house."
- "Baba's house, baby."
- Well, she's Irish.
I thought "Baba" was a term.
- In Ireland?
- Yeah, yeah, yeah.
- Hey there, "Baba."
Have a drink with me, "Baba."
- I'm Irish, and I can tell you that "Baba"--
- "Baba's not a thing."
- It says by Sinead O'Connor, but it's not.
It's written by Prince.
- It's written by Prince, yes.
- What is that?
What's wrong?
Why is it--?
- That's some Wikipedia shit right there.
- That's some fucked up shit.
- But did she--?
- That's how you know not to trust whatever the fuck.
- Maybe it is, "Baba."
- Maybe it is, "Baba."
- See, it is, "Baba."
These lyrics are wrong.
- Yeah, that's right.
I knew that Prince wrote it.
- You did.
- Yeah, and maybe it was like an urban thing.
- Okay.
- "What's up, Baba?"
- Yeah, I like music.
We sung a song before you came in.
I didn't even get to talk about the song,
but it's called "Put Me Down Easy."
- Ooh.
- And it's by--
- Is it about a dog?
Sing it to see if Josh knows what to do.
- That's insane.
I'm not gonna fucking sing in front of him.
- No, sing it!
- In front of him?
- Yeah, sing it!
- Just don't fight over me.
I'll go to Christmas.
- But look it up.
This is what's fascinating about it,
'cause when I first heard the song,
it's a great song.
It's beautiful.
But I like soul songs that sound happy, but are sad.
- Yeah.
- That's one of my favorite things.
- So the music and the melody's kind of uplifting,
but then you read the words and you go--
- And it's dark as fuck.
I love it.
So this song was written by Elsie Cook,
none other than Sam Cook's brother.
- "Don't make it rougher and don't make me suffer."
- "Put Me Down Easy."
- "Put Me Down Easy."
That's hard.
- Such a beautiful, I said the terminology.
- You know, that's begging for mercy.
- Yeah.
- And honestly, things like mercy,
those topics are the things I love the most
to sing about, sing about.
- Yeah.
- 'Cause they're so tragic, fragile.
- Oof.
- So, you know--
- And real though, they're so real.
- Yeah, everyone--
- When you hear that, everyone,
it's a universal feeling of like,
when you're gonna get broken up with,
or someone's gonna go away in your life,
you, like, that feeling you know that's coming,
eh, oh my God, everyone's felt that.
I don't care who you are, where you're from,
what you're done.
And so, yes, this is the kind of shit
I'll cry to if I really want to get hit.
- Yeah, I like about mercy too.
- You are, you're a mercy boy.
- I love mercy too.
- Yeah.
- Let me ask you, is it hard to write lyrics?
- No, I mean, no, because I mean,
imagine all the albums--
- Hold on one second.
- Right.
- Did everyone just have a flashback
to Chris Farley talking to Paul McCartney?
When you write songs, is it songs that you write
when you write them, are they songs?
That's what you just said.
- No, that was a legit.
I think it was a legit.
- Nah, fuck him.
You suck, you got up.
- No, no, that's no joke.
- Get a real question.
- No, what I'm saying.
- Is it hard to write jokes?
- Yes.
- That's an annoying question.
- Oh, all right.
- No, but the reason I actually like this question--
- Don't do this, Tim, don't give a joke.
- Can I rephrase it?
- No, you don't need to.
- Okay, thank you, Josh, go ahead.
- I think, I think--
- Fuck you, dude, you humiliate me.
I'm a fuck a fan.
- You're okay?
- Yeah.
- All right.
- I think it is extremely difficult sometimes.
- Thank you.
- I find it challenging because I would like to say something,
especially as the year's going,
I really wanna say something vulnerable in words
that are kinda juicy and colorful and economical.
Like I wanted to, and some things are actually hard.
Sometimes you write words or you write jokes
that you're like, "Ah, can I actually say this?"
- We do that a lot.
- A lot, yeah.
- We just will say it, unfortunately.
- Yeah, unfortunately, yeah.
- It comes out.
- All the fucking time, you know?
- Yeah.
- 'Cause I wanna say something,
and I actually want someone to,
I want a certain group of people
to be annoyed or upset by what I said.
- Oh, yeah.
- Oh, right.
- In the manner in which you say it, you know?
- Yeah.
- Well, how about this?
Tell me, it was a good question.
I'm just teasing, I love you so much.
- It's okay, I let it go.
- Okay, this is artist self-stroke stuff,
but I do wanna know, in your opinion,
whether or not it was universally received in that way,
what's the song that you wrote that you're like,
that's the best song I've ever written?
Where you're like, it's no doubt.
And people, like there's jokes, we talk about this.
Sometimes comics will write a joke,
and it's not our best joke to them.
- Right.
- But I'm like, that's so, I love that joke,
and they may think it's,
they think another thing is funnier, you know?
- I think you get familiar with something,
and so you're, and you're, I mean,
it's not exactly the answer to what you're saying,
but our biggest song, "No One Knows,"
I don't get sick of playing that ever.
- Love that song.
- And I find that annoying when people say,
well, we're not gonna play this anymore.
I think it's somehow, I love our audience,
even though I hate groups of people.
- Yeah, I get it.
- We get it, yeah.
- We can't fucking stand these guys in the window.
- I'm just highly suspect of not just them.
- Yeah.
- But yes, them.
- Them.
- But I'm highly suspect of groups of people, you know?
- Yeah, they're dangerous.
- It feels like the mob.
- Yeah.
- And I know that we're asking for groups of individuals,
which doesn't make any sense, you know?
You know, I would like a bunch of,
but I would like a few people from each clique.
- Yeah, yeah, yeah, ye