Name: Joe Rogan Experience #2387 - Gregg Braden
Uploaded: 2025-10-01T17:00:23.000Z
Description: Watch the stand-up comedy video 'Joe Rogan Experience #2387 - Gregg Braden' from PowerfulJRE on Comedy Buff. Published 2025-10-01. Transcript available.

Watch the stand-up comedy video 'Joe Rogan Experience #2387 - Gregg Braden' from PowerfulJRE on Comedy Buff. Published 2025-10-01. Transcript available.

Joe Rogan Experience #2387 - Gregg Braden

Joe Rogan podcast, check it out.
The Joe Rogan experience.
Train by day, Joe Rogan podcast by night, all day.
We just missed a fabulous conversation about your hair.
You have the best hair.
I would not wear headsets if I was here.
Are we recording right now?
Yeah, we're going now.
So, did you ever know Wayne Dyer?
No, I didn't know Wayne Dyer.
Do we have Wayne Dyer on the podcast ever?
Like way, way, way, way, way back in the day?
I was, I was on a cruise with, we had the same publisher, Hay House is our
publisher.
And we were on a cruise just off Australia.
Of course, the sun's out there and Wayne came out and he's got a very shiny
head.
He said, Greg Braden.
I said, yeah.
He says, you see this?
And I said, yeah.
He said, this is a solar panel for a sex machine.
And, and I couldn't, I couldn't match that, you know?
So I said, I said, well, you see this?
I said, these are every one of these, every one of these hairs.
Is a highly advanced, finely tuned antenna to higher dimensional state spaces
information.
And so that was our joke about hair and no hair.
Imagine if like, that's what made you enlightened, how much hair you had.
No one started to fall out, you got dumber.
Like I said, they, they, every decade of my life, they're saying, if you have
it this decade,
you can keep it.
So when I hit my seventies, they said, you got this, this, you can probably
keep it.
Oh yeah.
If you have minoxidil, like if you got like really good at it today and there's
a bunch
of different DHT inhibitors that are topical that they can use.
My friend Derek from Derek, more plates, more dates.
It's a website.
He's got a bunch of like protocols and how to save your hair.
So people want to save their hair.
But we were talking about Art Bell when we came in here, cause there's a
photograph of
art on the wall that like was one of the most important things for me to put up.
Like we talked about it and Jamie and I were like, oh, you got to get it.
We got to get a metal picture of Art Bell because that was the guy, man.
When I was driving home from the comedy store at like one o'clock in the
morning and I was
listening to AM radio coast to coast with Art Bell from the kingdom of Nye.
It was my favorite.
This was like all for me was kind of pre-internet too.
Like me, you know, the internet existed, but it wasn't the thing that it is now.
There was no podcasts.
No, but you know, the crazy thing is the stuff that was on that program that
was all fringe
is what everybody's talking about every day at lunch right now.
Area 51, Bob Lazar, totally mainstream.
You know, he was so kind to me.
He had me on this program before I had my first book.
I self-published my first two books and I was doing talks all over up and down
the West
coast, up in the Vancouver.
And he had heard somebody in his shop had been to one of those talks and he
invited me
on, no book.
And then he had me on a number of times after that.
And so I felt, I was very honored to be on there.
And, you know, we talked about everything, man.
He could, that was the thing.
You could talk about anything, anything you wanted to talk about.
It was also like art was a show where you could get real information and you
could also get
complete horse shit.
And you had to be able to discern what is what.
But art treated everyone with equal respect.
Like you could call him up, art, I'm a werewolf.
He'd be like, interesting.
Tell me more.
It was never like, bitch, you're not a werewolf.
You're just mentally ill.
You need to get some Prozac or whatever they give you.
Well, you still, you still got to be discerning today.
You know, I think I say it's.
Well, today you more so than ever because of AI and because of bots and what's
going on.
I think it's important to have an open mind, but not a gaping mind.
And there are a lot of.
Unfortunate use of terminology, but yes, I agree wholeheartedly.
You know, part of the reason for that, and you know this, we we have a global
audience.
A lot of those people are very hurt, unresolved hurt.
They're right on the edge.
They're very fragile personalities.
Yeah, that's true.
And what they hear on the radio can be interpreted in a million different ways.
And it's, you know, I think there's a responsibility that comes with saying
things.
If you're going to say it, make sure it's accurate.
Yeah.
And your intention, like, what are you trying to do?
Like, I'm never trying to hurt someone's feelings, right?
If someone's listening, I'm, I want you to have a better life.
I want your life to be better.
You know, and this is an interesting thing about whether it's bots or whether
it's, you
know, an actual human being talking about stuff, the way you approach life and
the way the
people around you approach life is very contagious.
And if you're doing it in a very positive and a loving way and a friendly way
and a communal
way, that's contagious.
It's really good.
It's good for everybody.
Yeah.
But if you're bitter and shitty, it's bad for everybody.
What art was, was like very friendly and, and, you know, and fascinated by all
these things.
And he was a real pro.
You know what I mean?
It's just like, so when I did his show, it was like one of the highlights of my
life.
And I, I got to do the internet version.
I never got to do the radio version.
So he was on the internet at the time, at a time.
I don't think he was, maybe he was on some radio stations, but mostly I think
it was an
internet thing.
But I was like, yes, I'm on with Art Bell.
Mine was all by phone.
It was all landlines.
Yeah, I was on by phone too.
I didn't, yeah, I did it from my house on the internet, you know, I think I did
it, you
know, with a headset or something, but I did.
Well, he paved the way and we're here today.
Well, he made interesting subjects.
You know, like I remember when they were talking about things like the face on
Mars and you're
like, what?
That sounds so kooky.
And then you see pictures and you go, hey man, what is that?
Why don't I hear about that in school?
Yeah.
Well, he had Richard Hoagland on night after night after night after night for
weeks on end
when that came out.
And actually that face on Mars had a lot to do with my career path, actually.
So what is your take on all this?
Because one of the things that happened was with the face on Mars is the
initial images
were very grainy, but fascinating because it did kind of look like a face, but
maybe even
more remarkable because sometimes there's faces like in the side of a rock, it
looks like a
face.
More remarkable was the geometric pattern of the base of it.
Yeah.
And so I kind of dismissed that when the second images came out.
So this is the original image.
This is the original image that freaked everybody out.
They were like, oh my God, there's a face on Mars.
And then they came up with these upgraded images and I was like, well, that's
not a face.
It's just weird shadows and it's probably just a mountain.
But man, that's an odd shape.
Or that face has been doctored.
It could be true.
Yeah.
But also, then I looked at it and it was like, that shape is interesting.
Like it almost looks unnatural.
Then the new images from very close to Sidonia that show a very clear square.
This one's nuts because this one is somewhere in the neighborhood of between
three.
It's plus 300 meters.
Like they don't know how much longer that is than 300 meters.
But it's the minimum size of this thing is 300 meters across.
And it's a full-on square.
Right angle, right angle, right.
It's like, what the hell is that?
Pull that picture up, Jamie.
As a geologist, I was fascinated when Hoagland first started talking about what
was happening here.
What's up, Jamie?
Oh, that one.
Yeah, yeah.
The one that we bring up all the time.
Which one?
Oh, it don't matter.
Just click on any of them.
Some of them are doctored, though.
Yeah, the non-doctored one, the one next to it.
Like they're right there.
Look at that.
That's absolutely great.
So I don't know if you, I'm very familiar with this image.
I don't know if you can see with your mind's eye.
You're looking at the lower left.
That's a 90-degree angle.
If you can see the rest of the 90-degree angle up at the top and over at the
side,
if you can trace out, that is one massive right there.
Now you can see it.
Yeah, the computer has cleaned it up.
Nature does not work in 90-degree angles.
You're not going to get wind erosion.
Wind is called aeolian erosion.
Fluvial erosion is water erosion.
You're not going to get 90-degree angles from wind or water.
So one of the tenets in archaeology, when you see 90-degree angles,
there's an intentionality underlying that structure.
If it were a one-off, you could say maybe it's a fluke, and it's not.
And this is on Mars.
Jamie, I don't know if you can do this.
Through freedom of information, NASA had to release all of the lunar images
up through the Clementine mission.
And they didn't want to do that.
And when they did release them, they ended up pixeling out a whole bunch of
stuff,
which made it look even more obvious than it was.
They're just fucking with us at this point.
So you've got to say, what is it on the lunar surface that we paid for with our
tax dollars
that we're not supposed to be seeing?
And these were tower structures.
Can you see the Clementine?
Are there any undoctored, unblurred versions of it that some nerd has stuck out
of the office?
I haven't seen them in the public domain.
But you've seen them privately?
No.
But what I'm saying is through freedom of information, what they were forced to
release.
What they were forced to release, why in the world would they be pixelating the
images that
are on there that actually make them look even more obvious than they are?
So what we're seeing, what Hoagland was talking about, what you're seeing on
Mars is not happening
in a vacuum.
It's happening.
We're seeing the same thing on the lunar surface to varying degrees.
On Mars, there were three-sided, four-sided, five-sided pyramids.
With the one in the upper right-hand corner, that's odd.
I think it's the same thing.
Yeah.
Yeah, that's very odd.
So here's the kicker.
We're sending the Viking probes, Viking 1, Viking 2 in the 70s went to Mars.
19,000 images were captured from the orbiting part of the mission.
The other craft landed on the surface.
And I can just imagine being on the surface seeing this.
It's like this thing that's like a spider comes down in a cloud of dust, and
this little
tube pops up, and some sticky dental floss stuff shoots out, and then they reel
it in
to collect dirt and microbes, and they reel it into broth because they're
looking for evidence
of life on Mars, and it's happening next to massive monuments and geometric
structures
that are now dated about 50,000 years BP before present.
So they're looking for microbes and signs of life next to the most massive
signs of life
that you could imagine.
These, you said they're dated to 50,000 BC, these structures?
BP.
BP.
Before present.
Before present, yeah.
So how do they know that?
Those were, when the Cydonia mission, that's the Cydonia scientists, are estimating
50,000 years,
and the same with the lunar, I mean, I'm hesitating.
But the Cydonian, how do they estimate that if they're using probes from that
far away?
They're using probes, and I think geologically they're using, it's relative
dating, you know,
they're looking at strata and things like that, and from the lunar sites, you
know, they brought
back samples, and I'm hesitating because I don't know how deep you want to go
with all this,
but the...
As deep as you want.
Well, you know, the samples that came back from the lunar surface had traces of
metals
that do not occur naturally in nature, naturally in nature.
They are the product of, you know, advanced machinery.
What metals are these?
These were metals that came back when they brought back from the Apollo mission,
and I think they
brought back, oh, I need to remember the names, that's one Jamie can look up,
what the metals
were that came back, and they