Name: Diane Keaton Doesn't Watch "Annie Hall" | David Letterman
Uploaded: 2025-10-14T15:00:39.000Z
Description: Watch the stand-up comedy video 'Diane Keaton Doesn't Watch "Annie Hall" | David Letterman' from Letterman on Comedy Buff. Published 2025-10-14. Transcript available.

Watch the stand-up comedy video 'Diane Keaton Doesn't Watch "Annie Hall" | David Letterman' from Letterman on Comedy Buff. Published 2025-10-14. Transcript available.

God, it's nice to see you again.
It's been a while.
It has been a while.
It's been 20 years, for God's sakes.
Yes, it's been 20 years.
Uh-oh, Dave.
Now, I know I did...
Boy, you look great, by the way.
What's the matter?
I don't want to see...
You can't see the legs, right?
Okay, good.
Well, no, you can a little bit.
I mean, you look fine.
I have them, though.
I know.
That's a pleasant thing.
I know I did something wrong 20 years ago.
Wrong, yeah.
But help kind of...
I'm sorry, I'm not supposed to look at them.
Yeah, you can look at them if you want.
Actually, they're not even there.
Yeah.
It's an interesting place.
It's quite cool in here.
Yeah.
Have you ever been in the Ed Sullivan Theater before?
No, I've never been here.
Well, did we do it 20 years ago?
Not here.
No, I don't mean...
I mean...
I mean...
Believe me, if we did, you wouldn't have to ask.
Thank you.
Oh, I'm so sorry.
All right.
Yeah.
Okay.
In any event.
Yeah.
1987, and you were here, and we were all very excited.
And I think you'd done the show once before.
I think you'd been on twice.
Maybe once, right.
But only once.
Yeah.
And then you were gone.
You were out of town.
We could never get a hold of you again.
Yeah, I know.
And I'm sorry.
No, no, no, no.
I don't want you to feel bad.
I'm pretty sure it was my fault.
No, no, I don't think so.
Actually, you know what the event was, right?
What happened was that I had made this movie, and the movie was called Heaven.
Right.
And it was about heaven.
And the thing was, was that it bombed.
And I came on your show after it tanked.
And a guy named Gary Franklin, I don't know if you know, he was a, he was a
critic then.
And Gary Franklin gave it a minus zero.
Ouch, ouch, ouch.
And I was feeling a little, like, weird.
And I came on your show, and I don't know, I, we mentioned the, the, the movie.
Right.
And I, I believe that, I think I cried.
Oh, no.
Did I cry on the show?
I don't, I don't remember you crying.
I don't remember why, I don't know, man.
It was a strange experience, because, yeah, yeah.
See, you're doing, you're being very nice here, because you're, you're making
it seem like
it was, uh, uh, circumstantial.
Oh, yes.
And, and, and yet, and yet I feel like I probably said or did something ugly.
Did you, do you think you did?
Well, that's usually why nobody comes back.
And, and, and you're in very good company.
Uh, I am?
Like who?
A lot of people.
For example.
Well, we get to make a lot of calls and send out gifts and things.
Oh, yeah, no, yeah, yeah, of course.
Yeah.
But you didn't give me any gifts.
Now, let me, let me, uh.
Where's my gift?
We didn't control the budget in those days.
Oh, I understand.
Okay.
That's fine.
But, you know, to, to take on a, a, a documentarian look at, at heaven.
It's a weird thing.
I agree.
Not weird.
I mean, it's a, it's a massive undertaking.
It is.
And you should be commended for the effort.
Thank you.
Thank you so much.
Yeah, yeah.
Thank you so much.
Uh, well, anyway, let's move to the forward.
Yes, of course.
How, how are you doing?
And, and, uh, thank God for being, what's the problem?
No, no, I'm kidding.
I'm fine.
Oh.
I'm doing well.
You're, you're, see, I always think of you as, as, uh, the, uh, proto-
Annie Hall, I heard you.
Oh, I'm sorry.
But I can't help it.
But how have I failed?
I mean, you haven't, you haven't failed.
Do you still think I'm like Annie Hall?
Uh, well.
Well, what have I, have I changed?
No, no.
You are, you are, uh, the, you are Annie, Annie Hall.
You think?
I mean, who else could have played that part?
I don't know.
Yeah.
I don't know, I don't know.
Is it, uh, is it, is it, for an actor, is it a good thing to have, like Paul
said, an
iconic role?
It's not a bad thing.
Yeah, I would think so.
No, not a bad thing.
Do you ever watch the movie?
No, I don't watch it, no.
Really?
No.
I see it, like, maybe you.
Don't say this.
Yeah.
How often do you see it?
Have you seen it again?
I saw it today.
Okay.
Oh, man.
That's insane.
Yeah, yeah.
That's good.
That's not bad, for me, anyway.
But anyway, but you're not from New York, you're from California.
I'm not feminine?
No, I, no, you are.
I said you're.
Oh, but, oh, you didn't say that, I'm sorry.
No, I said you're not from.
I have some hearing issues.
I'm sorry.
You're not, you're not from New York.
I'm not from, oh, oh yeah, no, I'm not from New York, no.
Right, that's what I hear.
You're from Southern California, right?
Oh, yeah, yeah.
Yeah.
Fascinating.
Yeah, and, uh.
But did you move to New York early on?
I moved to New York.
All right.
Yeah, I did.
And then when I moved to New York, then 20 years later, I moved to California.
Right, right.
And, and when you were here, uh, in the nascent stages of your performing
career.
Yeah, nascent?
Yes.
Who, who were your peers?
What was your peer group?
Who were your buddies?
Oh, peers.
Yeah.
Peers.
Well, I was frequently, like, mistaken for Jill Klaberg.
That was a peer.
Mm-hmm, yeah.
But other peers?
Like, guys.
You mean, like, friends that I like?
Yeah, other actors that you were hanging around with in New York.
Are you talking about men?
Men?
Men, women, sure.
I like men.
Yeah.
Right, and good.
I, I mean, I remember men then.
Yeah.
Are you, uh, well, that's a good opening there.
Are you, are you seeing men now?
Are you seeing men?
Am I?
No.
No, you're not.
No.
Oh, you're not.
No.
You don't see men.
I know.
I'm not seeing any men either.
I find this hard to believe.
But, you know, I respect your privacy on this.
Do you really?
Yeah.
Yeah.
Then why did you bring it up, Dan?
Well, you're right.
You bring, bring up a good point.
Do you think it's unusual for a woman like, like, say me, for example, that I'm
not actually
with a man right now?
Uh, I think a, a woman like you, women at large, can do whatever they want.
But.
I like men.
But I, I find it, uh, difficult to believe.
I like kissing men.
I like kissing men.
And I do in the movies.
Diane Keaton, yeah.
But in real life, they don't seem to want to kiss me.
Well, I find this so difficult to believe.
They don't.
They, they don't.
Why wouldn't, because I can't possibly be the only one who feels the way I do.
Do you want to kiss me?
Oh, yeah.
Oh, yeah.
Oh, my God.
Oh, my God.
Oh, my God.
Oh!
Don't ask me twice.
This is not going where it was going to go.
You know what I'm saying?
Can I get you a drink?
Yeah, please.
Now, you, uh, when you were, when you were working here in New York City, you
were in the cast of Hair.
And?
Well, that, that was kind of like a breakthrough musical.
Oh, yeah, people took off their clothes, yeah.
Yeah, yeah.
Uh, but, uh, you didn't take off your clothes.
You didn't have to take off your clothes.
No.
There was a, uh, I waited until later.
But they, uh, did you enjoy being in that, uh, I mean, it was good work, right?
It was, it was amazing work, yeah.
At the time, it was, like, astonishing to have a job.
Mm-hmm.
And, and, and, you know, um, I was part of this tribe, and, and, uh, and it was,
uh, it was a really interesting, I have nothing to say about it, actually.
I mean, honestly, frankly, it was so long ago.
I just remember that it was odd, because I had gone to acting school, and I
didn't really fit in with the tribe, and people were, like, doing all kinds of,
well, yeah, I know what it is.
I know what it is.
Before the show opened, we got shot.
Really?
By this guy, this, this doctor named Dr. Bishop, and it was, like, this vitamin
shot, right?
Only it was not vitamin.
It was, like, a methamphetamine kind of thing, you know, like, where you were
flying through the room.
It was, like, an Adderall kind of, like, people were, yes, it was.
Methamphetamine, well, say goodbye to Dr. Bishop.
Um, so it was some sort of stimulant you were getting.
It was a stimulant, yes.
Wow, wow.
Yeah.
And then, then, uh.
And then what happened?
Yeah, yes.
Well, a lot of people got, you know, addicted to the stimulant.
Mm-hmm.
And, uh, they had the bad end.
Mm-hmm.
I'm so sorry.
Some did.
It was, it was kind of not, I don't want to, you know, it's, it's not, do you
think Dr. Bishop's going to sue me?
I'm already in such trouble.
No, he's, he's fine.
I'm sure he can take a joke.
Yeah, he's fine.
A guy like Dr. Bishop.
I mean, I mean, these guys wouldn't be in the business if they couldn't take a
joke, you know?
Oh, Lord.
Oh, please.
Yeah.
I mean, okay.
Now, tell me about, now, we, we talked a little bit about, uh, you know who was
here earlier in the week was, uh, uh, the, uh, one of your cast members.
Oh.
Yeah.
Which one?
Well, Katie Holmes was here.
Oh, is she beautiful?
Yeah, it was lovely.
Now, it was, it must have been great fun, uh, working with Katie Holmes.
It was interesting because I, I felt like I was sandwiched between these two
kind of communities.
Mm-hmm.
And they were, like, you know, there was Queen Latifah, she's also in the movie,
and she's fantastic, and Katie, and they were just like, they had this massive
entourage because they are so famous and so amazing.
And then there was me in the middle, the little tiny brown hen.
And I just, I just remember thinking that this was an extremely incredible
experience for me because it was a different world, their worlds.
I mean, like, you can't imagine, I mean, being that famous.
I mean, you know, Queen Latifah is extremely entrepreneurial.
Yes.
Yes.
Yeah.
Well, uh, you shouldn't hide your light under a bushel.
That's all I could think of to say.
I didn't know what else to say.
I don't know.
Sorry.
You're never coming back, are you?
No, never.
Yeah, we're never coming back.
You're doing pretty well.
That's right.
Oh, that's so fantastic.
Yeah, about once a year.
Yeah.
All right, now, Mad Money, it's a group of women who work together at the
Federal Reserve.
Federal Reserve, exactly.
And they're in charge of disposing of used money, money that needs to be
destroyed.
Yeah, money gets shredded.
All right.
Did you know that?
Yes.
Your money.
Yes.
Yes.
After it's worn out.
Yeah, exactly.
Right.
And you find yourself in a, there's a change of a situation.
That's exactly right.
You suddenly need some money and so you decide.
My husband gets downsized out of a job and we're suddenly poverty stricken like
so many people
right now in this particular atmosphere in the country.
Who do you think is going to win the election?
Well, boy, I don't know.
I have.
I'm so curious because I really believe that the economy is going to really.
Mm-hmm.
Yeah.
Don't you?
I mean, it's horrible.
I don't know.
I'm confused and I don't know.
Are you confused?
Well, I am confused because I have my own personal issues that I haven't heard
addressed by the
candidates and I'm waiting for those.
Mm, okay.
Thank you.
I'm curious about what those issues are, personally speaking.
You said personal issues.
Bladder control?
I'm setting you up here.
Bladder control?
Okay, well, let's try to get on with this now.
Okay, yes, of course.
I'm sorry.
Because you have to get ready to plan your next visit.
2040.
So, anyway, what is the scene we're going to see here, Diane?
Okay, yeah.
So, you know, the problem is my husband got downsized.
We're now poverty-stricken.
Right.
We're going to lose our house, which is really horrible.
Is that it?
And which I, yeah, and it really is.
And I totally identify with it.
But I, who had this liberal arts education, have to get a job.
But I seem to be having trouble getting a job.
That's the setup.
Mm-hmm, okay.
Did I do okay?
Perfect.
Let's take a look.
Mad Money opened earlier today.
It's funny.
It is funny.
It's Mad Money opened today.
The lovely Diane Keaton, ladies and gentlemen.
Thank you so much.
Thank you so much.
Great pleasure to see you again.
We'll be back with Jim Gaffigan.
There she goes.
There she goes.
We'll be back with Jim Gaffigan.
We'll be back with Jim Gaffigan.
We'll be back with Jim Gaffigan.
We'll be back with Jim Gaffigan.
We'll be back with Jim Gaffigan.
We'll be back with Jim Gaffigan.
We'll be back with Jim Gaffigan.
We'll be back with Jim Gaffigan.
We'll be back with Jim Gaffigan.
We'll be back with Jim Gaffigan.
We'll be back with Jim Gaffigan.
We'll be back with Jim Gaffigan.
We'll be back with Jim Gaffigan.
We'll be back with Jim Gaffigan.
We'll be back with Jim Gaffigan.

Diane Keaton Doesn't Watch "Annie Hall" | David Letterman

God, it's nice to see you again.
It's been a while.
It has been a while.
It's been 20 years, for God's sakes.
Yes, it's been 20 years.
Uh-oh, Dave.
Now, I know I did...
Boy, you look great, by the way.
What's the matter?
I don't want to see...
You can't see the legs, right?
Okay, good.
Well, no, you can a little bit.
I mean, you look fine.
I have them, though.
I know.
That's a pleasant thing.
I know I did something wrong 20 years ago.
Wrong, yeah.
But help kind of...
I'm sorry, I'm not supposed to look at them.
Yeah, you can look at them if you want.
Actually, they're not even there.
Yeah.
It's an interesting place.
It's quite cool in here.
Yeah.
Have you ever been in the Ed Sullivan Theater before?
No, I've never been here.
Well, did we do it 20 years ago?
Not here.
No, I don't mean...
I mean...
I mean...
Believe me, if we did, you wouldn't have to ask.
Thank you.
Oh, I'm so sorry.
All right.
Yeah.
Okay.
In any event.
Yeah.
1987, and you were here, and we were all very excited.
And I think you'd done the show once before.
I think you'd been on twice.
Maybe once, right.
But only once.
Yeah.
And then you were gone.
You were out of town.
We could never get a hold of you again.
Yeah, I know.
And I'm sorry.
No, no, no, no.
I don't want you to feel bad.
I'm pretty sure it was my fault.
No, no, I don't think so.
Actually, you know what the event was, right?
What happened was that I had made this movie, and the movie was called Heaven.
Right.
And it was about heaven.
And the thing was, was that it bombed.
And I came on your show after it tanked.
And a guy named Gary Franklin, I don't know if you know, he was a, he was a
critic then.
And Gary Franklin gave it a minus zero.
Ouch, ouch, ouch.
And I was feeling a little, like, weird.
And I came on your show, and I don't know, I, we mentioned the, the, the movie.
Right.
And I, I believe that, I think I cried.
Oh, no.
Did I cry on the show?
I don't, I don't remember you crying.
I don't remember why, I don't know, man.
It was a strange experience, because, yeah, yeah.
See, you're doing, you're being very nice here, because you're, you're making
it seem like
it was, uh, uh, circumstantial.
Oh, yes.
And, and, and yet, and yet I feel like I probably said or did something ugly.
Did you, do you think you did?
Well, that's usually why nobody comes back.
And, and, and you're in very good company.
Uh, I am?
Like who?
A lot of people.
For example.
Well, we get to make a lot of calls and send out gifts and things.
Oh, yeah, no, yeah, yeah, of course.
Yeah.
But you didn't give me any gifts.
Now, let me, let me, uh.
Where's my gift?
We didn't control the budget in those days.
Oh, I understand.
Okay.
That's fine.
But, you know, to, to take on a, a, a documentarian look at, at heaven.
It's a weird thing.
I agree.
Not weird.
I mean, it's a, it's a massive undertaking.
It is.
And you should be commended for the effort.
Thank you.
Thank you so much.
Yeah, yeah.
Thank you so much.
Uh, well, anyway, let's move to the forward.
Yes, of course.
How, how are you doing?
And, and, uh, thank God for being, what's the problem?
No, no, I'm kidding.
I'm fine.
Oh.
I'm doing well.
You're, you're, see, I always think of you as, as, uh, the, uh, proto-
Annie Hall, I heard you.
Oh, I'm sorry.
But I can't help it.
But how have I failed?
I mean, you haven't, you haven't failed.
Do you still think I'm like Annie Hall?
Uh, well.
Well, what have I, have I changed?
No, no.
You are, you are, uh, the, you are Annie, Annie Hall.
You think?
I mean, who else could have played that part?
I don't know.
Yeah.
I don't know, I don't know.
Is it, uh, is it, is it, for an actor, is it a good thing to have, like Paul
said, an
iconic role?
It's not a bad thing.
Yeah, I would think so.
No, not a bad thing.
Do you ever watch the movie?
No, I don't watch it, no.
Really?
No.
I see it, like, maybe you.
Don't say this.
Yeah.
How often do you see it?
Have you seen it again?
I saw it today.
Okay.
Oh, man.
That's insane.
Yeah, yeah.
That's good.
That's not bad, for me, anyway.
But anyway, but you're not from New York, you're from California.
I'm not feminine?
No, I, no, you are.
I said you're.
Oh, but, oh, you didn't say that, I'm sorry.
No, I said you're not from.
I have some hearing issues.
I'm sorry.
You're not, you're not from New York.
I'm not from, oh, oh yeah, no, I'm not from New York, no.
Right, that's what I hear.
You're from Southern California, right?
Oh, yeah, yeah.
Yeah.
Fascinating.
Yeah, and, uh.
But did you move to New York early on?
I moved to New York.
All right.
Yeah, I did.
And then when I moved to New York, then 20 years later, I moved to California.
Right, right.
And, and when you were here, uh, in the nascent stages of your performing
career.
Yeah, nascent?
Yes.
Who, who were your peers?
What was your peer group?
Who were your buddies?
Oh, peers.
Yeah.
Peers.
Well, I was frequently, like, mistaken for Jill Klaberg.
That was a peer.
Mm-hmm, yeah.
But other peers?
Like, guys.
You mean, like, friends that I like?
Yeah, other actors that you were hanging around with in New York.
Are you talking about men?
Men?
Men, women, sure.
I like men.
Yeah.
Right, and good.
I, I mean, I remember men then.
Yeah.
Are you, uh, well, that's a good opening there.
Are you, are you seeing men now?
Are you seeing men?
Am I?
No.
No, you're not.
No.
Oh, you're not.
No.
You don't see men.
I know.
I'm not seeing any men either.
I find this hard to believe.
But, you know, I respect your privacy on this.
Do you really?
Yeah.
Yeah.
Then why did you bring it up, Dan?
Well, you're right.
You bring, bring up a good point.
Do you think it's unusual for a woman like, like, say me, for example, that I'm
not actually
with a man right now?
Uh, I think a, a woman like you, women at large, can do whatever they want.
But.
I like men.
But I, I find it, uh, difficult to believe.
I like kissing men.
I like kissing men.
And I do in the movies.
Diane Keaton, yeah.
But in real life, they don't seem to want to kiss me.
Well, I find this so difficult to believe.
They don't.
They, they don't.
Why wouldn't, because I can't possibly be the only one who feels the way I do.
Do you want to kiss me?
Oh, yeah.
Oh, yeah.
Oh, my God.
Oh, my God.
Oh, my God.
Oh!
Don't ask me twice.
This is not going where it was going to go.
You know what I'm saying?
Can I get you a drink?
Yeah, please.
Now, you, uh, when you were, when you were working here in New York City, you
were in the cast of Hair.
And?
Well, that, that was kind of like a breakthrough musical.
Oh, yeah, people took off their clothes, yeah.
Yeah, yeah.
Uh, but, uh, you didn't take off your clothes.
You didn't have to take off your clothes.
No.
There was a, uh, I waited until later.
But they, uh, did you enjoy being in that, uh, I mean, it was good work, right?
It was, it was amazing work, yeah.
At the time, it was, like, astonishing to have a job.
Mm-hmm.
And, and, and, you know, um, I was part of this tribe, and, and, uh, and it was,
uh, it was a really interesting, I have nothing to say about it, actually.
I mean, honestly, frankly, it was so long ago.
I just remember that it was odd, because I had gone to acting school, and I
didn't really fit in with the tribe, and people were, like, doing all kinds of,
well, yeah, I know what it is.
I know what it is.
Before the show opened, we got shot.
Really?
By this guy, this, this doctor named Dr. Bishop, and it was, like, this vitamin
shot, right?
Only it was not vitamin.
It was, like, a methamphetamine kind of thing, you know, like, where you were
flying through the room.
It was, like, an Adderall kind of, like, people were, yes, it was.
Methamphetamine, well, say goodbye to Dr. Bishop.
Um, so it was some sort of stimulant you were getting.
It was a stimulant, yes.
Wow, wow.
Yeah.
And then, then, uh.
And then what happened?
Yeah, yes.
Well, a lot of people got, you know, addicted to the stimulant.
Mm-hmm.
And, uh, they had the bad end.
Mm-hmm.
I'm so sorry.
Some did.
It was, it was kind of not, I don't want to, you know, it's, it's not, do you
think Dr. Bishop's going to sue me?
I'm already in such trouble.
No, he's, he's fine.
I'm sure he can take a joke.
Yeah, he's fine.
A guy like Dr. Bishop.
I mean, I mean, these guys wouldn't be in the business if they couldn't take a
joke, you know?
Oh, Lord.
Oh, please.
Yeah.
I mean, okay.
Now, tell me about, now, we, we talked a little bit about, uh, you know who was
here earlier in the week was, uh, uh, the, uh, one of your cast members.
Oh.
Yeah.
Which one?
Well, Katie Holmes was here.
Oh, is she beautiful?
Yeah, it was lovely.
Now, it was, it must have been great fun, uh, working with Katie Holmes.
It was interesting because I, I felt like I was sandwiched between these two
kind of communities.
Mm-hmm.
And they were, like, you know, there was Queen Latifah, she's also in the movie,
and she's fantastic, and Katie, and they were just like, they had this massive
entourage because they are so famous and so amazing.
And then there was me in the middle, the little tiny brown hen.
And I just, I just remember thinking that this was an extremely incredible
experience for me because it was a different world, their worlds.
I mean, like, you can't imagine, I mean, being that famous.
I mean, you know, Queen Latifah is extremely entrepreneurial.
Yes.
Yes.
Yeah.
Well, uh, you shouldn't hide your light under a bushel.
That's all I could think of to say.
I didn't know what else to say.
I don't know.
Sorry.
You're never coming back, are you?
No, never.
Yeah, we're never coming back.
You're doing pretty well.
That's right.
Oh, that's so fantastic.
Yeah, about once a year.
Yeah.
All right, now, Mad Money, it's a group of women who work together at the
Federal Reserve.
Federal Reserve, exactly.
And they're in charge of disposing of used money, money that needs to be
destroyed.
Yeah, money gets shredded.
All right.
Did you know that?
Yes.
Your money.
Yes.
Yes.
After it's worn out.
Yeah, exactly.
Right.
And you find yourself in a, there's a change of a situation.
That's exactly right.
You suddenly need some money and so you decide.
My husband gets downsized out of a job and we're suddenly poverty stricken like
so many people
right now in this particular atmosphere in the country.
Who do you think is going to win the election?
Well, boy, I don't know.
I have.
I'm so curious because I really believe that the economy is going to really.
Mm-hmm.
Yeah.
Don't you?
I mean, it's horrible.
I don't know.
I'm confused and I don't know.
Are you confused?
Well, I am confused because I have my own personal issues that I haven't heard
addressed by the
candidates and I'm waiting for those.
Mm, okay.
Thank you.
I'm curious about what those issues are, personally speaking.
You said personal issues.
Bladder control?
I'm setting you up here.
Bladder control?
Okay, well, let's try to get on with this now.
Okay, yes, of course.
I'm sorry.
Because you have to get ready to plan your next visit.
2040.
So, anyway, what is the scene we're going to see here, Diane?
Okay, yeah.
So, you know, the problem is my husband got downsized.
We're now poverty-stricken.
Right.
We're going to lose our house, which is really horrible.
Is that it?
And which I, yeah, and it really is.
And I totally identify with it.
But I, who had this liberal arts education, have to get a job.
But I seem to be having trouble getting a job.
That's the setup.
Mm-hmm, okay.
Did I do okay?
Perfect.
Let's take a look.
Mad Money opened earlier today.
It's funny.
It is funny.
It's Mad Money opened today.
The lovely Diane Keaton, ladies and gentlemen.
Thank you so much.
Thank you so much.
Great pleasure to see you again.
We'll be back with Jim Gaffigan.
There she goes.
There she goes.
We'll be back with Jim Gaffigan.
We'll be back with Jim Gaffigan.
We'll be back with Jim Gaffigan.
We'll be back with Jim Gaffigan.
We'll be back with Jim Gaffigan.
We'll be back with Jim Gaffigan.
We'll be back with Jim Gaffigan.
We'll be back with Jim Gaffigan.
We'll be back with Jim Gaffigan.